Somebody who may or may not be Craig McMillan blogging from what may or may not be the Caribbean: I brought it up with the team this morning over Weet-Bix. The lads agreed that we’ve got a job to do as ambassadors as well. There was such a positive buzz about the idea of donating […]
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Over the last couple of weeks both the Penthouse and the Paramount have upgraded their websites — the Penthouse scores marks for having their session grid available only a click away from the front page and the Paramount scores bonus marks for having the session grid right there on the front page — no extra …
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”