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December 2011

Review: The Adventures of Tintin, Mission: Impossible - Ghost Protocol, Alvin and the Chipmunks: Chipwrecked, The Muppets, The Salt of Life, The Iron Lady and Melancholia

By Cinema and Reviews

Like stu­dents swot­ting for exams New Zealand film dis­trib­ut­ors seem to have run out of year for all the films they have to release so there are some really big names being squeezed into the next two weeks. If you can’t find some­thing to watch on – the inev­it­ably wet – Boxing Day next Monday, then I sus­pect you don’t really like movies at all. And if that sounds like you, why are you still reading?

The biggest of the big names this Christmas has got to be The Adventures of Tintin. Despite Steven Spielberg’s name on the tin, it’s almost a loc­al pro­duc­tion when you con­sider the tech­no­logy and skills that went into its man­u­fac­ture, so we all have a small stake in its suc­cess. Luckily, Europe has embraced it so a second film has already been con­firmed – and will be made here.

But enough of the cheer­lead­ing – what did I think of it? It’s good, really good. The per­form­ance cap­ture and char­ac­ter design works bet­ter than ever before, Spielberg has embraced the free­dom from the laws of phys­ics that anim­a­tion allows and throws the cam­era around with gay aban­don – but always with pan­ache and not to the point of motion sick­ness. Many of the visu­al gags are ter­rif­ic and Andy Serkis as Haddock proves that there is no one bet­ter at act­ing under a lay­er of black dots and ping pong balls.

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Review: New Year’s Eve, The First Grader, Red State and Courageous

By Cinema and Reviews

For years now I’ve been fight­ing a single-handed defence of the later career of Robert De Niro (no defence, of course, being neces­sary for the early career which fea­tured Mean Streets, Taxi Driver and The Deer Hunter). This defence has sev­er­al argu­ments. Firstly, his decline hasn’t been nearly as pro­nounced – or as strange – as Al Pacino’s. Secondly, he was mak­ing some unusu­al decisions even dur­ing the eighties and, frankly, one Harry Tuttle – the reneg­ade cent­ral heat­ing engin­eer in Brazil – or foul-mouthed bail bonds­man Jack Walsh (Midnight Run) will get you a free pass for an awful lot of We’re No Angels.

In the nineties, too, he would make choices that fans of Raging Bull and King of Comedy would think were beneath him – Mad Dog and Glory, Frankenstein – but also pull out Wag the Dog and Jackie Brown. It’s been clear for a while now that De Niro is some­thing of a work­ahol­ic – and an act­or who waits for pro­jects as good as Goodfellas is an act­or who doesn’t work all that often.

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Cinematica: Back to School

By Audio, Cinema and Cinematica

Kailey has already giv­en up on Christmas already and moved on to New Year’s Eve; Simon goes back to school with The First Grader; and I look at cine­mat­ica present­a­tions of evan­gel­ic­al Christianity – Kevin Smith’s Red State and Alex Kendrick’s faith-based Courageous and we pre­view a sweet little film from Italy by inter­view­ing the writer and dir­ect­or of The Salt of Life – Gianni Di Gregorio.

Review: Puss in Boots, Jig, Red Dog and Tomboy

By Cinema and Reviews

Every so often a film comes along that fits so squarely and neatly inside one’s own per­son­al set of interests and enthu­si­asms that it is impossible to be object­ive about it. I try and keep my work here dis­in­ter­ested and arms’ length – clin­ic­al, if you will – but, y’know, I’m only human. Just so you know. With that dis­claim­er out of the way, then, here’s my review of Puss in Boots.

So. Much. Fun. Soooo. Much. Fun. As one of the smart Embassy staff poin­ted out to me after­wards, Puss (Antonio Banderas) has been basic­ally single-pawedly keep­ing the Shrek fran­chise alive for a while so a spin-off was not only likely but neces­sary. And welcome.

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