Dan Slevin is a New Zealand-based writer and broadcaster. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”
Not only are the subtitles not in a sensible, unobtrusive font so you can read them and get back to the movie, they are in The Teenage Witch's Choice of fonts, Papyrus!
The absence of classical work in my repertoire is due to the fact I can't wear those trousers," he says. "It makes me sound very shallow but I've done some really serious plays in a decent lounge suit."
They just lifted it from my blog without asking?…?I'm not talking about quotes. Am talking about the entire article. But with edits they made that make me look ill informed and unfeeling.
Andy Bull (good British name) talking about English cricket's nomads and imports in The Spin:
There is no need to mark a dividing line between those who arrived as children and those who made the decision later in life, just as there is no need to draw distinctions between players who have moved from Test-playing nations and those who haven't. The point is that they decided to come at all. That is sufficient commitment in itself.
That sentiment is true for all walks of life, not just sport.
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