We’re born alone and we die alone and in between nothing goes according to plan and the people around us are mostly unreliable and occasionally malevolent. Meanwhile, God either doesn’t exist or is indifferent to our suffering. Either way, A Serious Man, the new film by the prodigiously gifted Coen Brothers, is a very serious […]
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This week’s Capital Times film review, lavishly illustrated as usual: Hairspray (Adam Shankman); Ratatouille (Brad Bird); The Invasion (Oliver Hirschbiegel); Next (Lee Tamahori); Romulus, My Father (Richard Roxburgh). This is the first time that I’ve really felt the pressure of the 550 word limit and some of the writing has suffered as a result, so apologies for that.
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This week’s illustrated Capital Times film review: 28 Weeks Later (Juan Carlos Fresnadillo); The Host (Joon-ho Bong); Man of the Year (Barry Levinson); Dixie Chicks: Shut Up & Sing (Barbara Kopple & Cecilia Peck); Go For Zucker (Dani Levy); The Flying Scotsman (Douglas Mackinnon). Phew.
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”