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christopher plummer

Feb 09 2012
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Review: The Descendants, The Girl With the Dragon Tattoo and Young Adult

By Cinema and Reviews

The Descendants posterI really enjoyed Alexander Payne’s The Descendants – at least while I was watch­ing it. Some films will do that to you, though. They push all sorts of groovy but­tons while you are in the room but they dimin­ish as you re-examine them. Connections that you thought were there turn out to be illus­ory, a series of sat­is­fy­ing emo­tion­al moments don’t cohere into some­thing com­plete and you real­ise that you were enjoy­ing it so much you wished it into some­thing profound.

I blame Clooney. He’s such a watch­able pres­ence, always com­bin­ing that Cary Grant movie star-ness with an under­ly­ing emo­tion­al frailty. His char­ac­ters carry that square-jawed aspir­a­tion­al male solid­ity but rarely do they actu­ally know what is going on or what to do. He spe­cial­ises in people who are mak­ing it up as they go along and that has tre­mend­ous appeal – if George Clooney doesn’t know what he’s doing then none of us do.

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Jan 10 2012
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2011 Wellington Cinema Year in Review

By Cinema

I’ve been watch­ing reac­tions to oth­er people’s “Best of 2011” with interest. It’s fas­cin­at­ing to see online com­ment­ors insist that films they have seen are so much bet­ter than films that they haven’t. Even though I do, in fact, watch everything I’m not going to pre­tend that this list is defin­it­ive – except to say that it gets a lot closer than most…

I also don’t believe in the arbit­rar­i­ness of “Top Tens”. I have my own entirely arbit­rary scale: Keepers, Renters and Respecters.

Secretariat posterKeepers are the films that I loved so much I want to own them – films that make me feel bet­ter just hav­ing them in the house. The first film I adored this year was slushy Disney horse racing story Secretariat. It should have been everything I hate – manip­u­lat­ive, worthy, a faith-based sub­text – and yet I cried like a baby – expert button-pushing from dir­ect­or Randall Wallace. Rise of the Planet of the Apes was my favour­ite block­buster. Superb dir­ec­tion by Rupert Wyatt over­came the flaws (ahem, James Franco, ahem) and it care­fully walked the tightrope of both respect for its pre­de­cessors and kick­ing off some­thing new.

The Tree of Life posterTerrence Malick’s The Tree of Life is my favour­ite film of the year by a long stretch. A second view­ing allowed me to stop think­ing about it and just feel it, mean­ing that I got closer than ever before to the soul of a film artist. Profound in the way that only the greatest works of art are. Tusi Tamasese announced him­self with one of the most mature and con­sidered debuts I’ve ever seen – The Orator placed us deeply inside a cul­ture in a way that was both respect­ful and chal­len­ging of it. That film’s jour­ney hasn’t fin­ished yet.

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Nov 15 2011
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Review: Beginners, Contagion, Happy Ever Afters, Last Train Home, Eco-Pirate and 13 Assassins

By Cinema and Reviews

Beginners posterI really don’t want much. It’s simple. All I ask is for someone with tal­ent to take some of their life exper­i­ence and merge it with that tal­ent in the hope that the res­ult­ing work of art might help illu­min­ate some aspect of my life. That’s all. And yet it rarely hap­pens. Which means I’m very grate­ful that with Beginners, Mike Mills has done exactly that and pro­duced a ter­rif­ic film that is intensely per­son­al – both to him and to me.

Ewan McGregor plays a gloomy Los Angelean illus­trat­or: lone­some, intro­spect­ive, self-sabotaging; all les­sons learnt grow­ing up an only child in a house­hold where his fath­er was a closeted gay and his moth­er lived a con­strained and lonely life of ima­gin­a­tion. When she dies of can­cer, McGregor’s fath­er (Christopher Plummer) is freed from the bonds of mar­riage, comes out at the age of 75 and throws him­self whole-heartedly into the the LA gay scene – includ­ing post­ing reveal­ing per­son­al ads and start­ing a rela­tion­ship with a bud­ding pyro­tech­ni­cian named Andy (Goran Visnjic). And then he gets cancer.

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Jan 01 2011
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2010 Wellington Cinema Year in Review

By Cinema

So, after trawl­ing through the many thou­sands of words writ­ten about cinema in these pages this year, I sup­pose you want me to come to some con­clu­sions? Do some “sum­ming up”? Help guide you through the great video store of life? Well, alright then. Here goes.

We don’t do Top Ten lists here at the Capital Times – they are reduct­ive, facile and, frankly, you have to leave too many titles out. I have taken to divid­ing my year’s view­ing up into cat­egor­ies: keep­ers are films I want to have in my home and watch whenev­er the mood takes me; renters are the films that I could hap­pily watch again; then there are the films that I enjoyed but am in no hurry to repeat, the films I might have mis­judged first time around, the films I can’t get out of my head (for bet­ter or worse), the films I am sup­posed to love but you know, meh, and most import­ant of all – the films you should avoid as if your very life depends upon it.

First, the keep­ers: a sur­prise for some will be Fantastic Mr. Fox which was released after my 2009 Year in Review was sub­mit­ted and the only film in the list that I already own. Animal Kingdom was the film I most recom­men­ded this year – a stun­ning, tense piece of work that gripped me totally.

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Dec 14 2010
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Review: Get Him to the Greek, The Last Station and Amreeka

By Cinema and Reviews

Get Him to the Greek posterForgetting Sarah Marshall was one of the sur­prise pleas­ures of 2008. An Apatow com­edy that was rel­at­ively mod­est about it’s ambi­tions it fea­tured a break-out per­form­ance from English comedi­an Russell Brand, play­ing a ver­sion of his own louche stage persona.

As it so often goes with sur­prise hits, a spinoff was rushed into pro­duc­tion and we now get to see wheth­er Mr Brand’s brand of humour can carry an entire film. Get Him to the Greek sees Brand’s English rock star Aldous Snow on the comeback trail after a failed sev­en year attempt at sobri­ety. Unlikely LA A&R man Jonah Hill (Knocked Up, Funny People) sells his record label boss, Sean “P Diddy” Combs, on a 10th anniversary con­cert fea­tur­ing Snow and his band Infant Sorrow at the Greek Theatre of the title.

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Nov 18 2009
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Review: Two Lovers, My Sister’s Keeper, The Imaginarium of Dr Parnassus and A Christmas Carol

By Cinema and Reviews

Two Lovers posterAt what point in a man’s life does he decide to become a dry clean­er? For Joaquin Phoenix’s char­ac­ter, Leonard Kraditor, in Two Lovers that day is nev­er and yet he still finds him­self to be one. He’s a sens­it­ive soul whose men­tal health issues have res­ul­ted in sev­er­al sui­cide attempts, a per­man­ent rela­tion­ship with med­ic­a­tion and a need to start again with his lov­ing par­ents in their small apart­ment in Brooklyn.

His fath­er intro­duces him to the daugh­ter of a busi­ness asso­ci­ate (Vinessa Shaw) in the hopes that a pos­it­ive rela­tion­ship might heal his son and also be a prof­it­able devel­op­ment for the dry clean­ing busi­ness. At the same time, Leonard meets and falls for the beau­ti­ful and mys­ter­i­ous upstairs neigh­bour, played by Gwyneth Paltrow, whose own rela­tion­ship with a wealthy mar­ried man is doing her no good.

Two Lovers is writ­ten and dir­ec­ted by James Gray, the icon­o­clast­ic and uncom­prom­ising inde­pend­ent film­maker respons­ible for the gritty New York dra­mas Little Odessa and last year’s We Own the Night , which also starred Phoenix. It’s a care­ful and sens­it­ive pic­ture about how so often love is about want­ing to heal and pro­tect someone – Shaw wants to heal Phoenix and he wants to heal Paltrow and none of them real­ise the extent to which they have to heal them­selves first.

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