With the big budget Hollywood remake already in production (starring Rusty Crowe), Anything for Her looked like it might have had some entertainment potential but I’m sad to report that it never gets up to speed. The blissful lives of school teacher Julien (Vincent Lindon) and Lisa (Diane Kruger) are, as they say, shattered when Lisa […]
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I’m not normally one to make box office predictions but I have a gut feeling that The Topp Twins: Untouchable Girls is going to be massive. It’s an inspiring New Zealand story, well told with plenty of humour and music, and the literally irrepressible Topps’ lust for life shines like a beacon throughout. Using plenty […]
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My favourite post-Oscars quote came from David Thomson in The Guardian: “When the Slumdog mob – Europeans and Indians, adults and kids – took the stage to claim the best picture Oscar, a landmark was being established which directly reflects America’s reduced place in the world.” And as if to illustrate that very point, this […]
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In past columns this reviewer has pretty much unilaterally labelled 27 year old Ryan Gosling as the new Marlon Brando (thanks to extraordinary performances in Half Nelson and The Believer) but it is unlikely that even Brando would have been brave enough to choose Lars and the Real Girl as one of his projects. Lars […]
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”