Twickenham in 1961 might well have been the most boring place on Earth. The 60s haven’t started yet (according to Philip Larkin the decade wouldn’t start until 1963 “between the end of the Chatterley Ban/and The Beatles first LP”) but the train was already on the tracks and could be heard approaching from a distance […]
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One of the first films I reviewed when I started here was an charming documentary called Metal: A Headbanger’s Journey in which Canadian fans Sam Dunn and Scot McFadyen travelled the world talking to other fans (and the stars they worship) about what it is that makes metal great. In that film they interviewed Iron […]
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The most purely emotional experience I have had in a cinema this year was watching the delightful documentary Young at Heart during the Film Festival. It’s a life-affirming (and by its very nature death-affirming too) portrait of a group of Massachusetts senior citizen choristers who tour the world with a programme of (often consciously ironic) […]
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This week’s Capital Times film review, illustrated and linked up the wazoo: ROCKY BALBOA (Syvester Stallone); A PRAIRIE HOME COMPANION (Robert Altman); HOLLYWOODLAND (Allen Coulter); SQUEEGEE BANDIT (Sándor Lau); STRANGER THAN FICTION (Marc Forster) and THE LAST KING OF SCOTLAND (Kevin Macdonald)
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”