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ingmar bergman

Review: Hope Springs, Total Recall and How Far Is Heaven

By Cinema and Reviews

Hope Springs posterIn Hope Springs, Meryl Streep proves once again that not only can she play any woman, she can also play every­wo­man. She’s Kay, an unful­filled Nebraska house­wife, mar­ried for 31 years to account­ant Tommy Lee Jones and resigned to sleep­ing in sep­ar­ate bed­rooms and cook­ing him his eggs every morn­ing while he reads the paper. Except, she’s not resigned, she’s become determ­ined. Determined to prove that mar­riage doesn’t just fizzle out after the kids leave home, that the past doesn’t have to equal the future.

So, she signs them both up for “intens­ive couples coun­selling” with friendly ther­ap­ist Steve Carell, in pic­tur­esque sea­side Maine. Jones is gruffly res­ist­ant, of course, and it’s his dead­pan sar­casm that prompts nost of the early com­edy (their fum­bling attempts to spice up their life provides the rest). As a com­edy, Hope Springs is extremely gentle – much more gentle than the trail­er would have you believe – but that gen­tle­ness suits the del­ic­ate sub­ject and the script (by Vanessa Taylor) actu­ally bur­rows in pretty deeply to a sub­ject that, I’m sure, is pretty close to home for lots of viewers.

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Review: Transformers- Dark of the Moon, The Illusionist, Beyond, Summer Coda and Kawasaki’s Rose

By Cinema and Reviews

Transformers: Dark of the Moon posterTransformers: Dark of the Moon had the best teas­er trail­er of the year: a bril­liantly sus­pense­ful recre­ation of the first Moon land­ing and the Apollo 11 crew’s dis­cov­ery of a crashed ali­en space­craft on the hid­den side. It was two and a half minutes of superb cinema and I allowed myself a glim­mer of hope that maybe, just maybe, this third Transformers movie might not be the total dis­aster that the oth­er two have been.

Well, I have been to the Dark Side now and can report that all that hope was tra­gic­ally mis­placed. Transformers 3 is as stu­pid and out of con­trol as all the oth­ers. Even con­sid­er­ing the franchise’s neg­li­gible com­mit­ment to its own tor­tured intern­al logic the film is an utter shambles.

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