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james gray

RN 2/10: Straight to video

By Audio, Cinema, Rancho Notorious and Reviews

Dan and Kailey are joined by Steve Austin on the line from Auckland to talk about “Straight to Video”, his blog review­ing the increas­ing num­ber of films that don’t get a the­at­ric­al release in New Zealand (includ­ing James Gray’s The Immigrant). He sticks around to help the team review Clint Eastwood’s American Sniper which stars Bradley Cooper as an all-American hero trau­mat­ised by the Iraq war.

Plus, Kailey inter­views Tess and Jamie from the Circa Theatre pro­duc­tion of Seed.

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Telluride Diary part five: The show (part two)

By Cinema and Travel

Saturday dawned early and I was grate­ful that the first screen­ing of the morn­ing was at the Chuck Jones’ in Mountain Village, barely a fif­teen minute shuttle from my accom­mod­a­tion. Time to grab a cof­fee and then wait in line for an 8.30am repeat of the Roger Corman Tribute from the night before. This time the host and inter­rog­at­or would be Leonard Maltin (famil­i­ar to all New Zealanders of a cer­tain age, I think) instead of Todd McCarthy.

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A fairly rep­res­ent­at­ive pic­ture of Mountain Village architecture.

Before Mr Corman was invited on stage, we got to see an excel­lent doc­u­ment­ary on his life and work, Corman’s World: Exploits of a Hollywood Rebel. After that, Corman entered the stage to a stand­ing ova­tion and we were treated to insights and stor­ies from an exceed­ingly well-educated and thought­ful entre­pren­eur and artist for almost an hour. The sur­prise for me was hear­ing about Corman’s lib­er­al polit­ics and how he might have steered his film­mak­ing in that dir­ec­tion if it had­n’t been for the com­mer­cial fail­ure of The Intruder (1962, star­ring William Shatner as a white supremacist).

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2009 Wellington Cinema Year in Review

By Cinema

Welcome to the 2010 “cut out and keep” guide to video rent­ing (or down­load­ing or how­ever you con­sume your home enter­tain­ment these days). I sug­gest you clip this art­icle, fold it up, stick it in your wal­let or purse and refer to it whenev­er you are at the video shop, look­ing for some­thing to while away the long winter even­ings of 2010.

First up, the ones to buy – the Keepers. These are the films that (if you share my psy­cho­logy and some of my patho­lo­gies) you will cher­ish until you are old and the tech­no­logy to play them no longer exists. Best film of the year remains Danny Boyle’s Slumdog Millionaire. Mashing togeth­er sev­er­al archetyp­al stor­ies with a vivid visu­al style and a per­cuss­ive energy, Slumdog may not rep­res­ent India as it actu­ally is but instead suc­cess­fully evoked what India feels like, which is argu­ably more import­ant. After Slumdog everything I saw seemed, you know, old-fashioned and noth­ing has been any­where nearly as thrill­ing since. There are films you respect, films you admire and films you love. Slumdog is a film you adore. “Who wants to be a … miy­on­aire?” indeed.

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Review: Two Lovers, My Sister’s Keeper, The Imaginarium of Dr Parnassus and A Christmas Carol

By Cinema and Reviews

Two Lovers posterAt what point in a man’s life does he decide to become a dry clean­er? For Joaquin Phoenix’s char­ac­ter, Leonard Kraditor, in Two Lovers that day is nev­er and yet he still finds him­self to be one. He’s a sens­it­ive soul whose men­tal health issues have res­ul­ted in sev­er­al sui­cide attempts, a per­man­ent rela­tion­ship with med­ic­a­tion and a need to start again with his lov­ing par­ents in their small apart­ment in Brooklyn.

His fath­er intro­duces him to the daugh­ter of a busi­ness asso­ci­ate (Vinessa Shaw) in the hopes that a pos­it­ive rela­tion­ship might heal his son and also be a prof­it­able devel­op­ment for the dry clean­ing busi­ness. At the same time, Leonard meets and falls for the beau­ti­ful and mys­ter­i­ous upstairs neigh­bour, played by Gwyneth Paltrow, whose own rela­tion­ship with a wealthy mar­ried man is doing her no good.

Two Lovers is writ­ten and dir­ec­ted by James Gray, the icon­o­clast­ic and uncom­prom­ising inde­pend­ent film­maker respons­ible for the gritty New York dra­mas Little Odessa and last year’s We Own the Night , which also starred Phoenix. It’s a care­ful and sens­it­ive pic­ture about how so often love is about want­ing to heal and pro­tect someone – Shaw wants to heal Phoenix and he wants to heal Paltrow and none of them real­ise the extent to which they have to heal them­selves first.

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