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Review: St. Vincent, Deepsea Challenge 3D, Interstellar, The Hunger Games: Mockingjay - Part 1 and Nightcrawler

By Cinema and Reviews

In the last (non-Rancho) post I made a com­mit­ment to get back in to reg­u­lar review­ing and to end my year-long sab­bat­ic­al. (For the reas­ons behind the hiatus, it is recom­men­ded that you have a quick read. Go on, I’ll wait here.) It has come as a bit of a sur­prise to me that I’ve actu­ally seen as much as I have over the last few months. It didn’t feel like it but — thanks to Radio New Zealand, FishHead and Rancho Notorious — fully 18 of the films cur­rently screen­ing around Wellington are films I can actu­ally have an opin­ion on.

Anyway, here goes, and I might as well start with the old­est first. Which, as it turns out, is also a con­tender for the worst film in this post.

St. Vincent movie posterI’ve nev­er man­aged to hide my dis­dain for Little Miss Sunshine, a film which is beloved by many and held up as an example of qual­ity screen­writ­ing to which we all should aspire. It is, in fact, garbage. A col­lec­tion of tics mas­quer­ad­ing as char­ac­ters stuck in a contrived-cute situ­ation in which life les­sons will be learned too eas­ily and happy end­ings will be unearned. Theodore Melfi’s debut fea­ture St. Vincent also falls into all these traps only deep­er. It also relies so heav­ily on the great Bill Murray that it man­ages to even bring him into disrepute.

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Review: Sione’s 2: Unfinished Business, Tinker Tailor Soldier Spy, Buck, Journey 2: The Mysterious Island and El violin

By Cinema and Reviews

The first Sione’s movie arrived in cinemas in 2006 – before I com­menced this weekly cata­logue of hits and misses – so I have to plead ignor­ance about the Duck Rockers and their earli­er hijinks. I didn’t even try and down­load it. How lame! So, Sione’s 2: Unfinished Business has to stand on its own two feet and I’m pleased to report that it does just that.

It’s five years on from Sione’s wed­ding and the boys have been brought back togeth­er for a dif­fer­ent kind of fam­ily gath­er­ing but one of them has gone miss­ing. The min­is­ter (the great Nat Lees) gives them a mis­sion: find Bolo (the great David Fane) and bring him back before he does some­thing he will regret. So com­mences a mad dash around cent­ral Auckland in a com­mand­eered taxi – from my memory of Ponsonby/Grey Lynn most of those jour­neys would have been faster on foot – try­ing to loc­ate Bolo before all Hell breaks loose.

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Review: TRON- Legacy and The Kids Are All Right

By Cinema and Reviews

TRON: Legacy posterIndulge me for a minute – it’s Christmas. Back when I was a little nip­per, me and some mates took a rare trip into the City (“Up London” we called it) to see what we thought was going to be the biggest movie event of our lives so far. At the Odeon Marble Arch (sup­posedly the biggest screen in Europe!) we sat ourselves in the middle of the front row and pre­pared to be blown away. By TRON.

It was the first film to con­tain com­puter gen­er­ated effects and graph­ics and the first to make a dir­ect appeal to the nas­cent home com­puter gen­er­a­tion who would go on to define our future. The idea of being sucked inside a com­puter to play the games for real didn’t do much for me but the meta­phor­ic idea of los­ing one­self in the Grid (or the Net as we came to call it)? That had a lot more appeal.

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Review: It’s Complicated, Cirque du freak: The Vampire’s Assistant & Astro Boy

By Cinema and Reviews

It's Complicated posterThe first thing you need to know about It’s Complicated is that it isn’t very com­plic­ated at all. The plot, the char­ac­ters, the gags (dear God, espe­cially the gags) are all per­fectly com­pre­hens­ible – even to those of us with only mod­est intel­lec­tu­al fac­ulties. Rest assured, at no point will any­one be talk­ing over your head in this one.

Nancy Meyer’s pre­vi­ous film was The Holiday, which eas­ily remains in the bot­tom ten of the 1200+ films I have reviewed in these pages, so It’s Complicated earns a single point for not being that bad, but that’s where I run out of positives.

Meryl Streep plays Jane, suc­cess­ful baker and busi­ness­wo­man, who has a drunk­en one-night-stand with her rogue-ish ex-husband, played by Alec Baldwin. He thinks that they should try again. She isn’t so sure – mainly because he is now mar­ried to the woman he left her for ten years earli­er and she really doesn’t want to be the “oth­er woman” to the “oth­er woman”.

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