The first Sione’s movie arrived in cinemas in 2006 — before I commenced this weekly catalogue of hits and misses — so I have to plead ignorance about the Duck Rockers and their earlier hijinks. I didn’t even try and download it. How lame! So, Sione’s 2: Unfinished Business has to stand on its own …
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Indulge me for a minute — it’s Christmas. Back when I was a little nipper, me and some mates took a rare trip into the City (“Up London” we called it) to see what we thought was going to be the biggest movie event of our lives so far. At the Odeon Marble Arch (supposedly […]
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The first thing you need to know about It’s Complicated is that it isn’t very complicated at all. The plot, the characters, the gags (dear God, especially the gags) are all perfectly comprehensible — even to those of us with only modest intellectual faculties. Rest assured, at no point will anyone be talking over your …
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This week’s Capital Times film review (lavishly illustrated) and in no particular order: SHREK THE THIRD (Chris Miller & Raman Hui); PIERREPOINT (Adrian Shergold); OCEAN’S 13 (Steven Soderbergh); BRIDGE TO TERABITHIA (Gabor Csupo); SCENES OF A SEXUAL NATURE (Ed Blum); PUPPY (Kieran Galvin); HOW MUCH DO YOU LOVE ME? (Bertrand Blier)
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”