Time to clear the summer holiday backlog so that the next time it rains you’ll have an idea of what you should go and see. There’s plenty to choose from — for all ages — and there’s a bunch more to come too. Best thing on at the moment is Martin Scorsese’s first “kids” film, Hugo, […]
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At what point in a man’s life does he decide to become a dry cleaner? For Joaquin Phoenix’s character, Leonard Kraditor, in Two Lovers that day is never and yet he still finds himself to be one. He’s a sensitive soul whose mental health issues have resulted in several suicide attempts, a permanent relationship with […]
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This week’s Capital Times film review: Mr Bean’s Holiday (Steve Bendelack); Twice Upon A Time (Antoine De Caunes); Pan’s Labyrinth (Guillermo Del Toro); The Illusionist (Neil Burger); Breaking and Entering (Anthony Minghella).
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This week’s Capital Times film review, illustrated but not annotated due to an hours in the day shortage: Eragon (Stefen Fangmeier); Material Girls (Martha Coolidge) and The Holiday (Nancy Meyers).
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”