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sharlto copley

Jan 01 2011
Love0

Review: The A-Team and Micmacs

By Cinema and Reviews

The A-Team posterLast week your faith­ful cor­res­pond­ent reviewed a big budget Hollywood film, based on a beloved tele­vi­sion series, fea­tur­ing four friends who went to a for­eign land with no know­ledge or empathy for the inhab­it­ants and con­tin­ued to live their self-serving, smug, lives blind to the real­ity sur­round­ing them. This week, I’m going to do it all over again and the only dif­fer­ence is that I really hated Sex and the City 2 and actu­ally quite enjoyed The A‑Team.

Now this real­isa­tion is giv­ing me some pause. They are fun­da­ment­ally the same film. Why should I react so strongly against one and so… benignly to the oth­er? Is it just a mat­ter of gender? Am I hard-wired to enjoy the male-bonding, explo­sions and gags in the way that female view­ers are hard-wired to enjoy the shoes and frocks in SATC2? Christ, I hope not. I’d bet­ter find some good reas­ons for enjoy­ing The A‑Team before I out myself as a review­er who can’t rise above his gender or class and there’s enough of those around already.

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Oct 04 2009
Love0

Review: Inglourious Basterds, The Age of Stupid and Departures

By Cinema and Reviews

Inglourious Basterds posterPlaying like the fever-dream of an obsess­ive teen­ager fallen asleep after read­ing a stack of Commando com­ics late at night, pos­sibly after too much cheese, Inglourious Basterds is anoth­er con­tender for most enter­tain­ing film of the year. In a 17 year career that includes only six actu­al fea­ture films (if you count Kill Bill as one), Quentin Jerome Tarantino has ded­ic­ated him­self to prov­ing that fol­low­ing the rules is a path made for fools and sis­sies. If only more film­makers were listening.

QT him­self has described Inglourious Basterds as a spa­ghetti west­ern med­it­a­tion on the war film and that’s as good a descrip­tion as any, I sup­pose. In Chapter One we meet wicked Nazi “Jew hunter” Hans Lander (Christoph Waltz – a rev­el­a­tion) as he forces a nervous French dairy farm­er to reveal the hid­ing place of a loc­al Jewish fam­ily. It’s a great set-piece open­ing, tense but leavened with moments of absurdity and it gets you in the mood for the thrill­ing non­sense that is to come.

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Oct 03 2009
Love0

Review: District 9, Sunshine Cleaning, The Man in the Hat, The Rocket Post and Case 39

By Cinema and Reviews

It’s going to be a massive few months for Wellywood – District 9 seems to have come out of nowhere to take the world by storm (Currently #35 in the IMDb All Time list, just below Citizen Kane. I kid you not) and The Lovely Bones trail­er is whet­ting everyone’s appet­ite at just the right time. This Friday, Wellington audi­ences are the first in the world to see a fif­teen minute sampler of the loc­ally shot Avatar (Readings from 11.45am, free of charge) and three more Film Commission fea­tures are due for release between now and Christmas: The Strength of Water, Under the Mountain and The Vintner’s Luck, all of which have a sig­ni­fic­ant Wellington com­pon­ent to them.

District 9 posterAnd if the Hollywood big cheeses were wor­ried about The Lord of the Rings shift­ing the tec­ton­ic plates of enter­tain­ment industry power they ought to be ter­ri­fied by District 9, a new world demon­stra­tion of the SANZAR spir­it (minus the Australians) that achieves in spades everything that this year’s big-budget tent-pole fea­tures like Transformers and Terminator failed to do. It works thrill­ingly as pure enter­tain­ment and yet at the same time it’s a little bit more.

Aliens have arrived on earth but unlike in the 70s and 80s they aren’t here to tell us how to con­nect with the uni­verse and expand our con­scious­ness. And it isn’t like the 90s when they arrived to car­a­mel­ize us with their death rays. These ali­ens have arrived for remark­ably 21st cen­tury reas­ons – their ship is crippled and with no way home they are destined to become refugees, out­casts, mis­un­der­stood second-class citizens.

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