The Rugby World Cup was supposed to be a boon for the whole economy, the thousands of excited guests soaking up our food, wine, culture and hospitality. Ask any cinema (or theatre) owner what’s really happening and you’ll get the inconvenient truth — the Rugby World Cup itself is soaking up all the attention and […]
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Sigourney Weaver in Esquire’s What I’ve Learned: I volunteered to serve food to the workers at Ground Zero after 9/11. There were dogs trained to find living people. The people who worked with the dogs became worried because the day after day of not finding anyone was beginning to depress the animals. So the people […]
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You can forget all talk of an Oscar for Heath Ledger’s Joker. If anyone is going to win an Academy Award for wearing some dodgy make-up in a noisy blockbuster no one is getting in the way of Robert Downey Jr. for Tropic Thunder. Totally believable, every second, as Kirk Lazarus, the Australian method actor […]
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”