Asides

Image of the day, 12/06/08, or, Wasn't Tomorrow Wonderful?

By December 6, 2008No Comments

Earth

As dra­mat­ic as Klaatu’s des­cent from his space­ship is in Robert Wise’ 1951 The Day The Earth Stood Still is, I’m always even more struck by the ali­en’s appear­ance at Mrs. Crockett’s board­ing house, in the dark, as the boarders, includ­ing Helen Benson and son Bobby are gathered around the tele­vi­sion, trans­fixed by the news reports of a strange visitor. 

One of the first of count­less post-nuke sci-fi par­ables, Earth was set in the then-present day, the bet­ter to preach its paci­fist creed. Still, it was every bit a movie about the future. Klaatu has an entirely human appear­ance and bear­ing; he also has  advanced tech­no­logy, a “salve” that heals a bul­let wound overnight, super­i­or reas­on­ing abil­ity and more. He rep­res­ents Earth’s, or more spe­cific­ally giv­en the film’s proven­ance and milieu, the United States’ poten­tial. Watching the film today, one can con­ceiv­ably mourn both the cozy-looking past of the American ’50s and the never-to-be real­ized future that Klaatu rep­res­ents. I some­how doubt the com­ing remake will stir any such feelings.

On a cheer­i­er note, the ori­gin­al’s been spiffed up for both stand­ard and high-def DVD, and the Blu-ray of the film is really peachy. 

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  • Owain Wilson says:

    I watched The Day The Earth Stood Still a week or so ago. Quite a stir­ring film, but there was one shot which really tickled me.
    During the sequence which shows machines and tech­no­logy around the world grind­ing to a halt, exactly as had Klaatu planned, this poor old farm­er who was quite hap­pily milk­ing his cows with the auto­mat­ic suc­tion device thing is now stand­ing there look­ing at his non-functioning equip­ment and scratch­ing his head.
    As I sat there, smil­ing at this pitch-perfect yet unin­ten­tion­al phys­ic­al com­edy, I thought there’s no way in hell we’ll see this guy in the remake. Shame.

  • DVA118 says:

    Funny this should be on here today, my wife and I just watched this last night, com­mer­cials for the remake remind­ing her how much she liked the ori­gin­al. What a clev­er movie. I laughed out loud at that scene as well, Owain. I also asked myself “what about air­planes” just before the gen­er­al and the film answered the ques­tion for me.
    And a really excel­lent per­form­ance by Michael Rennie. Watching it, I felt he would have made a fant­ast­ic Sherlock Holmes. Glenn (or any­one else for that mat­ter), did Rennie have any oth­er stand out parts or films you would recommend?

  • Glenn Kenny says:

    @DVA118: I don’t think Rennie ever got the career he deserved. He’s excel­lent in Preminger’s “The 13th Letter,” also 1951—Fox really ought to issue this sol­id remake of “Le Corbeau” as part of its film noir series—and also in Mankiewicz’s “Five Fingers”. Quite a bit of DIstinguished Studio Schlock—e.g., “Demetrius and the Gladiators” and “Desiree”—and tele­vi­sion followed.

  • Day the Earth Stood Still ran on the MonstersHD chan­nel last night (pre­sum­ably, the same trans­fer as the new Blu-ray) and it looked great. Looking for­ward to pick­ing this one up…when I get a Blu-ray player.
    DVA – I agree, I think Rennie could have been a very effect­ive Sherlock Holmes.

  • Tony Dayoub says:

    I was sur­prised to find that Rennie played Harry Lime in a 1 sea­son “Third Man” TV series. I’ve yet to see him in DTESS (hate to admit it, but I did watch the Blu-ray and hope to catch it tonight), but I remem­ber him from a show I loved, “The Invaders”. Notably, he also played a guest vil­lain on “Batman,” the Sandman.

  • FunTimebyI.Pop says:

    Obama is today’s Klaatu, although his power to redefine plan­et earth will be more akin to The Sandman’s (yawn).
    I know this is so because my Blu-ray play­er told me last night.

  • JJ says:

    Saw ’51 Earth pro­jec­ted at the HFA a couple of times…such a great movie. It really still feels so rel­ev­ant and access­ible. It’s an almost per­fectly craf­ted film the way Jaws or Some Like It Hot–every indi­vidu­al ele­ment works so well. The act­ing, the cine­ma­to­graphy, the spe­cial effects, pro­duc­tion design, the script (adapt­ing a much weak­er short story, Farewell to The Master), Wise’s dir­ec­tion, and Bernard Herrmann’s amaz­ing score.
    It’s an obvi­ous huge influ­ence on some monu­ment­al later works–“E.T.” and WATCHMEN, most signifigantly–but look­ing at that still frame I’m some­how reminded of Father Karas’ arrival in The Exorcist.…