Asides

On "Point"

By December 9, 2008No Comments

No Comments

  • Bill C says:

    That’s dis­ap­point­ing to hear, Glenn, but your framegrabs are coun­ter­fac­tu­al. That let­ter­boxed cap is what the disc will look like on *4x3* sets–whether it was “optim­ized for 16×9 dis­plays” (i.e., ana­morph­ic­ally enhanced) or not–whereas a 16×9 example, sans zoom­ing, would be win­dow­boxed, with black on all four sides.
    I real­ize you can­’t grab a true 4x3-within-16x9 frame in some­thing like PowerDVD or WinDVD, but you could sim­u­late it with vir­tu­ally any Photoshop-type pro­gram. Barring that, you should maybe just say “black bor­ders” and dis­pense with the illus­tra­tions to avoid confusion.

  • Dan says:

    Man, I’m annoyed about that, and I don’t even LIKE Antonioni!

  • B.W. says:

    Yeah, what Bill C said. I was con­fused about that too.
    I’m still work­ing with a 4:3 TV, partly because I’m more com­fort­able with the let­ter­box­ing situ­ation on it than on 16×9 sets. If and when I do upgrade, it might not be until they come out with 2.35:1 sets, which is prob­ably gonna hap­pen before too long. Right?

  • MovieMan0283 says:

    Weird tim­ing; I just put up a YouTube clip of the end­ing (not optim­ized for any screen, it would appear) and called it “Apropos of Nothing.” Guess it was apro­pos of some­thing, after all.
    I did­n’t much care for most of this film – though I was glad to see it and would hap­pily see it again, being some­what obsessed with both 60s cinema, and 60s youth/counterculture.
    But God, that end­ing. It has to be on a top 50 list of greatest end­ings in film his­tory. Just…gorgeous.