Three Compositions By Douglas Sirk and Russell Metty

7 Comments

• bill says:

  January 20, 2009 at 11:53 am

  I’ve been dying to see this film for a long time. Great news (and I love that last picture).

• Campaspe says:

  January 20, 2009 at 1:07 pm

  Luscious! I was hop­ing for a screen grab of the shot where Hudson walks in with the “danger” sign. But I guess you don’t do requests. 😀

• Glenn Kenny says:

  January 20, 2009 at 1:12 pm

  I love that shot too, but I was going for stuff that had the least amount of, shall we say, overt signification!

• Dan says:

  January 20, 2009 at 2:15 pm

  I think the greatest expan­sion in my film know­ledge comes from two sources: Criterion and Netflix.

• Tim Lucas says:

  January 20, 2009 at 3:51 pm

  When I watched this, I could­n’t help but won­der if this was the same hos­pit­al set later used in TWILIGHT ZONE’s “Eye of the Beholder.”
  Cheap self-plug: My review is MAGNIFICENT OBSESSION is forth­com­ing in the next SIGHT AND SOUND.

• Cadavra says:

  January 20, 2009 at 4:19 pm

  As our now ex-Prez might put it: don’t ever be afraid to significate!

• Ryland Walker Knight says:

  January 22, 2009 at 12:59 pm

  I hella shoulda grabbed the “DANGER” sign… oh well…