Miscellany

Remo Williams: The Adventure Is Weird

By May 26, 2009No Comments

Medici 2

Hey, look, guys! It’s Fred Ward, years before Gus Grissom, Hoke Moseley, Remo Williams and Rocco DIllon, here play­ing Niccolo di Conti, a Venetian turned Florentine who explains how he faked his con­ver­sion to Islam in epis­ode two of Rossellini’s 1972’s The Age of Medici. Ward’s sub­sequent career would see him oddly tog­gling between gruff char­ac­ter roles and pecu­li­ar attempts at franchise-building (sure, we all remem­ber Remo Williams: The Adventure Begins, but who among us can lay claim to first-hand know­ledge of Timerider: The Adventures of Lyle Swann?) before set­tling into the gruff char­ac­ter roles and par­od­ies there­of. Medici was his first film and it’s kind of funny just how fey his char­ac­ter­iz­a­tion is (which I hope is reflec­ted in the screen cap above); that’s not really a qual­ity too often asso­ci­ated with the fel­low and his roles. 

I read on the inter­net that Ward was “dis­covered” by Rossellini, but alas, Tag Gallagher’s in most respects quite thor­ough bio­graphy of R.R. con­tains no men­tion of the act­or. And so we are left with the mere but tan­tal­iz­ing fact of his appear­ance in the film, and in Rossellini’s sub­sequent Cartesius. Soon, a Quincy epis­ode would beck­on, with the role of “Hostage Taker…” 

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  • chris says:

    Boy, I think the last time I heard a men­tion of “Timerider” was when I actu­ally saw it on VHS all those many years ago. Always loved Ward…thought he would have made (and prob­ably could still make) a great Philip Marlowe based on his per­form­ance in “Cast a Deadly Spell” (obscure Fred Ward ref­er­ence back in your court, sir).
    Strange that a Fred Ward ref­er­ence would get me to com­ment on this site but, since it has, allow me a brief moment to say that’s a it’s a pleas­ure read­ing your posts and art­icles here and elsewhere.

  • Tony Dayoub says:

    I saw Timerider back in the day. Don’t remem­ber much about it, except that I enjoyed Ward in it, as I usu­ally do in most of his roles.
    But he’s the bee’s knees as Grissom and as Henry Miller, both of which were per­form­ances dir­ec­ted by the glor­i­ously under­rated Philip Kaufman.
    P.S. Cast a Deadly Spell is pretty great also.

  • wwolfe says:

    I saw “Timerider” in a theat­er. Which proves I really did see every movie released back then. As I recall, ex-Monkee Mike Nesmith pro­duced it. Along with the oth­er votes for “Cast a Deadly Spell,” I’m also a shame­less fan of the first two “Tremors” movies.

  • Rasselas says:

    He was good as the angry dad in Road Trip. In a just world, he would be rak­ing in heaps of cash as a terrifying-to-teenaged-boys but lov­able single dad on ABC.
    Henry and the Girls: Tuesdays at 9/8c!

  • DUH says:

    Hey, speak­ing of char­ac­ter act­ors, am I on crack or did The House Next Door just post a review of The Girlfriend Experience by one Lauren Wissot, of Internet Pissing Match With Glenn Kenny fame? WTF?

  • Glenn Kenny says:

    Um, thanks for point­ing that out, DUH. I’ve already viol­ated Fussell’s law by drop­ping a bit of snark over at “House.” It’s funny—at any old-school media pub­lic­a­tion, Wissot, what with her obvi­ous axe to grind, would be enjoined from writ­ing about the film at all. And yet, in this bold new media envir­on­ment, she’s been per­mit­ted to slag it in two out­lets. Although in each one she’s nev­er men­tioned your Humble Correspondent or his con­tri­bu­tion to the film. Which makes me wonder—was she for­bid­den to bring it up by her edit­ors, or does she just not want to get into a tangle with me again? (“Go ahead, I know you’re dying to,” one is temp­ted to coax.) I flat­ter myself by ima­gin­ing the lat­ter. But either way, it’s bull­shit. And either way, it’s 100% Wissot. Quite droll, in its way.

  • Jett Loe says:

    Fred Ward’s career is proof to me that I’ve some­how slipped/slid into a par­al­lel universe.
    Where I’m from Fred Ward is a star – with sev­er­al suc­cess­ful fran­chises to his name – and is reg­u­larly fea­tured on the cov­ers of super­mar­ket magazines and inter­viewed on pop­u­lar day­time shows.
    It sad­dens me that this is not the case here in your world.

  • bill says:

    How very strange. I’ve long been a fan of Fred Ward, although he’s the kind of guy who, if he’s mis­cast, you really feel it. But in the right role, he’s really pretty wonderful.

  • Herman Scobie says:

    Fred is espe­cially good in the won­der­ful Miami Blues, play­ing Hoke Moseley. He looks like his name should be Hoke Moseley. Somewhere Pauline rightly refers to him as “the great Fred Ward.”

  • Christian says:

    Fred Ward is always great. I love the way he eats up Henry Miller in HENRY AND JUNE. And let us not for­get TREMORS. Ever.

  • Brandon says:

    Fred Ward IS Remo Williams. I loved that movie when I was a kid.
    The book series was re-released in paper­back a couple of years ago.
    Hollywood needs to get all over the remake on that right now.
    And I nev­er under­stood why Cast a Deadly Spell isn’t giv­en more atten­tion (like, say, a DVD release). It’s a pretty clev­er fusion of Lovercraft and noir, and an early HBO movie at that.

  • jwarthen says:

    Glad to dis­cov­er a cluster of Fred Ward enthu­si­asts. Will wager most of them have nev­er seen his won­der­ful lead in the second of the two great “Noon Wine” TV adapt­a­tions (Peckinpah’s, with Jason Robards in the same role, is one I’ve waited 40 years to watch again). Ward’s 1986 ver­sion, with Pat Hingle and the won­der­ful Lise Hilboldt, at least reached video status, and is wholly worth tracking-down.

  • Christian says:

    And Joel Gray’s per­form­ance in REMO WILLIAMS is fant­ast­ic, his best work since CABERET.

  • jbryant says:

    Wow, I nev­er knew Ward worked with Rossellini. I guess if I had, I would­n’t have found it so odd to see him in the 16th cen­tury Venice of DANGEROUS BEAUTY.

  • Jeremiah Kipp says:

    Fred Ward is pretty great – I mean, just rat­tling off THE RIGHT STUFF, HENRY & JUNE, TREMORS, MIAMI BLUES, SOUTHERN COMFORT, THE PLAYER, SHORT CUTS…he’s had a num­ber of excel­lent roles, and proven him­self a reli­able tough guy char­ac­ter act­or. As for his early Italian film roles, I inter­viewed Ward a few years ago and he had a chuckle about it – for a while, those were the only roles he could get. Odd but true. And in the F.W. would-be fran­chise dept, REMO WILLIAMS is the bomb, but TIMERIDER is bor­der­line unwatch­able. – Jeremiah

  • Hi great blog I enjoy read­ing this art­icle thanks
    I nev­er knew Ward worked with Rossellini. I guess if I had, I would­n’t have found it so odd to see him in the 16th cen­tury Venice of DANGEROUS BEAUTY.
    thanks

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  • that’s not really a qual­ity too often asso­ci­ated with the fel­low and his roles.

  • Odd but true. And in the F.W. would-be fran­chise dept, REMO WILLIAMS is the bomb, but TIMERIDER is bor­der­line unwatch­able. – Jeremiah

  • But in the right role, he’s really pretty wonderful.