Sonny Bunch of The Washington Times, who interviewed me a while back on the subject of film grain and its place in video representations of cinema, has been blogging from the SIlverdocs documentary film festival. Where he met up with one of the giants of American documentaries, and put the grain question to him. The answer Bunch got might surprise you, and it just goes to show you can never really tell with these things. Find out here.
Tools of the Trade
F&S Recommends
- Campaign for Censorship Reform
- Glenn Kenny at Some Came Running
- New Zealand International Film Festival
- NZ On Screen
- RNZ Widescreen
- Robyn Gallagher
- Rocketman
- Sportsfreak NZ
- Telluride Film Festival at Telluride.net
- The Bobby Moore Fund
- The Hone Tuwhare Charitable Trust
- The Immortals by Martin Amis
- Wellington Film Society
- Wellingtonista
About F&S
You May Also Like
DVDGreat Art
"Desert" bloom
"Desert" bloom
This morning at The Auteurs', I discuss why Antonioni and Blu-ray disc are two great…
Glenn KennySeptember 22, 2009
ArgumentationHousekeeping
"Shutter" to think
"Shutter" to think
In the venerated tradition of the legendary "What does the ending of No Country For…
Glenn KennyMarch 11, 2010
AwesomenessDVDHousekeeping
Image of the day, 5/26/10
Image of the day, 5/26/10
Got alienation? From Antonioni's 1964 Red Desert, of course; grabbed off of the standard-def version of…
Glenn KennyMay 26, 2010
I’m not surprised by Maysles’ response. It’s what I would expect from a documentarian, accustomed to working in the low-budget arena, seeking to enhance the “quality” and approximation to reality any way he can.
Narrative filmmakers who usually work in mainstream, big-budget productions, on the other hand, would definitely be more conscious about pursuing the deliberate aesthetic associated with grain.