Among the many fantastic extras on Criterion’s terrific new edition of Last Year At Marienbad is director Alain Resnais’ thoroughly lovely 1959 documentary short, Le chant du Styrene, a gripping account of plastic manufacture with a very clever (but of course) verse narration from the great Raymond Queneau. A colorful homage to the surreality of the industrial world that, like Marienbad, marries magnificent formal command to a quirky sense of play, it brims with eye-popping imagery, so much so that my customary single image for a day just wouldn’t do.
Tools of the Trade
F&S Recommends
- Campaign for Censorship Reform
- Glenn Kenny at Some Came Running
- New Zealand International Film Festival
- NZ On Screen
- RNZ Widescreen
- Robyn Gallagher
- Rocketman
- Sportsfreak NZ
- Telluride Film Festival at Telluride.net
- The Bobby Moore Fund
- The Hone Tuwhare Charitable Trust
- The Immortals by Martin Amis
- Wellington Film Society
- Wellingtonista
About F&S
You May Also Like
Great ArtJust images
Image of the day, 2/8/10
Image of the day, 2/8/10
The horrific yet supremely satisfying finale to Chuck Jones' brutally brilliant 1951 tale of animal…
Glenn KennyFebruary 8, 2010
Man, Oulipo were down with Resnais? And vice versa? MAIS BIEN SUR! Wow, that’s exciting. Reordering the Q now.
My favorite part was the couplet for the little grains of dyed plastic: “On the vibrating sieve the granules swarm/Proud of their colors, lovely and warm.”
What songs the styrene sang, or what name Achilles assumed when he hid himself among women, though puzzling questions, are not beyond all conjecture.