DVD

Continental chicks in their underwear

By July 21, 2009No Comments

Dames SCR

Geez, this blog seems to be devel­op­ing a sub-theme that it seems I’d be well-advised to nip in the bud. I’ll work on that. In the mean­time, above is the great Dita Parlo (whose name was most egre­giously taken in vain by Madonna in what was, to my mind, the woman’s most unfor­giv­able sin), sev­er­al years before VIgo’s L’Atalante, fail­ing to under­stand what’s expec­ted of her when she takes a job at a massive women’s depart­ment store in Julien Duvivier’s very divert­ing 1930 Au bon­heur des dames. The pic­ture is the sub­ject of today’s Foreign DVD Report, so named this week because the French disc of this film is gen­er­ously region-free. At The Auteurs’. 

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  • I got to see this on the big screen at the San Francisco Silent Film Festival about three years ago. I had no idea what to expect but I was quite impressed and am hop­ing to see more Duvivier films.

  • david hare says:

    It’s a pretty impress­ive final silent from Duvivier and I think it could nicely share DVD space with his first talk­ie and next pic­ture, David Golder from the Irene Nemirovski nov­el of the same year. His whole 30s peri­od is rev­el­at­ory and unfirmoaly fine, and often mas­ter­ful – I regard hm as one of the top four French dir­ect­ors of the dec­ade with Renoir, Gremillon and Carne (not for­get­ting the all too short career of Vigo of course.) LOTS more needs to be said about Duviv but it really is a case of get­ting the films out there – a lot but not all the thirties pic­tures have been restored and there are a num­ber of sub­title files hanging around the eth­er for them.
    For the sharply obser­v­ant there’s a brief glimpse of Dita Parlo’s nipple in one scene, althoguh it’s not as sus­tained a shot as her top­less bathing scene in Kirsanoff’s Rapt from 1934. Duviv gives us even more nipples in the form of bare breasted Flamenco dan­cers who share the space in a seedy Barcelona dive with very rough look­ing drag queen in his ter­rif­ic 1935 La Bandera. Gabin occu­pies the cen­ter of this chaot­ic scene seem­ingly not know­ing which way to turn between the naked ladies and the not-so-ladies. It’s a riot.