Quality of mercy

A more appetizing image

By January 19, 2010No Comments

Capture

My friend and some­time coun­selor The Siren chided me, ever so gently, on the grisly image I have below, trum­pet­ing my write-up of early Scorsese shorts and docs. So as a cor­rect­ive, the begin­ning of Catherine Scorsese’s sauce recipe, from the end cred­its of one of those docs, Italianamerican.

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  • Fabian W. says:

    That recipe really does make a good sauce.

  • Wonder how it stacks up against Paulie’s Sunday gravy recipe in “The Godfather,” though? Further invest­ig­a­tion may be required.

  • Glenn Kenny says:

    Then, of course, there’s the slicing-garlic-with-a-razor gag enacted by Scorsese’s fath­er in “Goodfellas.”
    Lately, when I want to whip up a good sauce but can­’t stay in the kit­chen all day, I use a crock pot. It really works. I use one or two cans of whole toma­toes, two cans paste, one can crushed, and one tomato purée. I slice up a bunch of gar­lic, “Goodfellas” style, dice a yel­low onion, and heat the mix in olive oil until it reduces, and what gar­lic does­n’t lique­fy gets nice and brown. You throw that mix in the bot­tom of the crock pot and then add the toma­toes and some cheap red wine. I make the meat­balls from a mix of pork and beef and broil them a bit, both sides, and then throw those in; I brown and then boil some saus­ages, and then throw those in. The crock pot goes on low and cooks for eight hours or so; you can stir and add spices and wine as you go (I always top with a couple of sprigs of fresh oregano). It’s prac­tic­ally foolproof.

  • The Siren says:

    Delicious, and funny too. I was­n’t really chiding!
    So Glenn, you really tried the fam­ous razor-slicing gar­lic thing from Goodfellas? I haven’t done it for fear my fin­gers would soon look like the screen cap below.
    Question: “Pass a can of whole toma­tos” – what comes after? SPOILERS please?

  • Fabian W. says:

    Put the toma­tos in a blender and pour them in, let it boil, add the salt and vin­eg­ar and so on, let it cook again, then put in the meat, let it cook for an hour. After that, make the meat­balls and put’em in the sauce again, and let it cook for anoth­er hour. Eat. (And be grate­ful, as Joe Henry would put it.)

  • Glenn Kenny says:

    @ The Siren: Yes. The instruc­tion is to “pass” the can of toma­toes through a blender, and then it’s all what Fabian says.
    I was always a little shocked by that instruc­tion. The hard­core sauce makers of my fam­ily insisted that the whole point of sauce was slow-cooking it so that the whole toma­toes would lit­er­ally melt over the course of a day. And I’ve done it like that. The ingredi­ents of the crock-pot ver­sion I list above are my idea of a “cheat.”
    Incidentally, Catherine S. col­lec­ted a bunch of her mouth­wa­ter­ing recipes in a book, “Italianamerican: The Scorsese Family Cookbook,” whose front cov­er illo, hil­ari­ously enough, is a still from the late din­ner at Tommy’s mom’s place in “Goodfellas.” The out-of-print item is avail­able, not cheaply, from Amazon, here:
    http://www.amazon.com/Italianamerican-Scorsese-Family-Cookbook-Catherine/dp/0679442820/ref=sr_1_1?ie=UTF8&s=books&qid=1263922044&sr=1–1

  • Fabian W. says:

    This is per­haps the right time to dis­cuss the paint­ing of Tommy’s moth­er in GOODFELLAS, non? I have this secret the­ory that it’s sup­posed to be a paint­ing of Marty, but I nev­er found any proof. (And without the beard, it does look like him.)

  • bill says:

    Fabian, are you talk­ing about the paint­ing of the guy in the boat, with the dogs? Some time after the film came out, one of my broth­ers found that exact image, but as a pho­to­graph, in an old issue of NATIONAL GEOGRAPHIC. If I can think of a way to search for that on-line, and can then find it, I’ll provide a link.

  • bill says:

    Well, I can­’t find the photo. But a web­site called “goodfellaspainting.com” shows that I’m not insane:
    “The paint­ing was ori­gin­ally painted by the moth­er of Nicholas Pileggi and is based upon a 1978 edi­tion of National Geographic. Pileggi wrote the book “Wise Guy” which the movie is based upon.”
    http://www.goodfellaspainting.com/
    Why the ori­gin­al pic­ture is so hard to find on-line, I could­n’t tell you.

  • Fabian W. says:

    Bill, yeah, the pic­ture with the boat.
    http://media.schadenfreude.net/2009/07/goodfellas_painting-small.jpg
    De Niro chuckles “Looks like someone we know” and Pesci says “With the beard…shit, it’s him!”. And if you mind-erase that beard, it does look a bit like him. Or per­haps it’s just the eye­brows and the beard, I don’t know.

  • Fabian W. says:

    Bill, sorry, did­n’t read your second post. But that still does­n’t explain just who he’s sup­posed to look like. It remains a mystery.

  • bill says:

    Fabian, in the film they’re refer­ring to the fact that the guy in the paint­ing looks like Billy Batts (Frank Vincent), the almost-a-corpse they have locked in the trunk of their car at that very moment.

  • Fabian W. says:

    Really? Get out! (Elaine-shove)
    I con­sidered that, but for me, they just did­n’t look that alike. But now that you men­tion it, yeah, that makes sense. I still like my the­ory, though.

  • bill says:

    Yeah, look at Pesci and, par­tic­u­larly, Liotta’s reac­tion when De Niro brings it up. Pesci laughs, and says some­thing like “Shit, you’re right! Without the beard!” but Liotta looks at De Niro as if to say, “Is that really neces­sary?” Then, if memory serves, the cam­era tilts up and goes towards the win­dow, focus­ing on the trunk of the car.

  • Jimmy says:

    There is a simple beauty to the b&w image of Mama Scorsese’s recipe.
    In read­ing The Auteurs art­icle, could­n’t help but think of Haig Manoogian, Scorsese’s pro­fess­or @ NYU. His ment­or and friend.
    One last thing, while not my recom­men­ded form of view­ing, “American Boy” and “Italianamerican” are avail­able on YouTube:
    http://www.youtube.com/watch?v=YxaNe2SY-AI

  • Fabian W. says:

    Bill – I just watched that scene again, and it really was that obvi­ous. Now I’m ashamed. I’ve always noticed Hill’s reac­tion and the tilt and so on, but I just nev­er con­nec­ted the dots. That really adds a whole oth­er level of sociopath­ic nas­ti­ness to that moment. But thanks for clear­ing that up!

  • bill says:

    Don’t be ashamed, Fabian. I space on stuff like that all the time.

  • Fabian W. says:

    Thanks. This reminds me of David Chase’s appar­ent reac­tion to the end­ing of “Planet of the Apes” – “Wow, so they had a Statue of Liberty, too?”

  • David Boxwell says:

    That recipe, God love her for a saint, makes no sense at all. A (one!) basil leaf? That won’t fla­vor the “gravy”! A piece of meat? How big “a piece”? How do you brown meat on top of onions and gar­lic without burn­ing them? Why take the trouble to take the meat out of the pot to add liquid and tomatoes?

  • bill says:

    Fabian – That’s hil­ari­ous. I’d nev­er heard that before and did, in fact, laugh out loud.

  • The Siren says:

    David B., could she mean a bay leaf?

  • Gareth says:

    I was won­der­ing the same thing, wheth­er it was a basil leaf or a bay leaf. I’d also nev­er heard the term a “pinch of gar­lic” before, although I sup­pose it’s per­fectly reas­on­able! I’m with Glenn on the crock pot: mak­ing life very easy this winter for deli­cious post-work sauces, and essen­tially fool­proof. My main worry was wheth­er it would also be cat-proof but so far so good. He did nibble on my Christmas cake, though, the little bugger.