MusicSome Came Running by Glenn Kenny
Ornette at 80
Tools of the Trade
F&S Recommends
- Campaign for Censorship Reform
- Glenn Kenny at Some Came Running
- New Zealand International Film Festival
- NZ On Screen
- RNZ Widescreen
- Robyn Gallagher
- Rocketman
- Sportsfreak NZ
- Telluride Film Festival at Telluride.net
- The Bobby Moore Fund
- The Hone Tuwhare Charitable Trust
- The Immortals by Martin Amis
- Wellington Film Society
- Wellingtonista
About F&S
You May Also Like
nostalgiaProfilesSome Came Running by Glenn Kenny
Throwback Thursday: "Bjork's Big Adventure"
Throwback Thursday: "Bjork's Big Adventure"
So I've been sprucing up my CV and seeking other kinds of work and avenues…
Glenn KennyJuly 10, 2014
Misc. inanitySome Came Running by Glenn Kenny
The moviegoing public speaks: "F**k Megatron"
The moviegoing public speaks: "F**k Megatron"
All dialogue and indignant e-mail whingeing guaranteed verbatim. Okay, the Bay grumblings I made up.INTERIOR,…
Glenn KennyJuly 1, 2009
DVDHousekeepingSome Came Running by Glenn Kenny
Don't yield, back "Shield"
Don't yield, back "Shield"
This week's fodder (or should I say "fodda?") for the Foreign Blu-ray Report is the…
Glenn KennyMarch 23, 2010
I saw Ornette in America and found it engaging, where not goofy (the endless “title sequence”(s), for starters, and some moonshot sci-fi sequence I don’t exactly recall but am confident was not exactly inspired by Ornette’s inspired Science Fiction, &c.). But the scene captured above at the beginning of the film, where Ornette queries young Denardo about his mature pre-adolescent musical approach, demonstrates Ornette’s unpredictable sensitivity, to say nothing of bandleading/parenting skills (not always the same thing, though Bern Nix, like many others, has stories…). Never did see him as an actor in Chappaqua, but esteem the handful of times I saw him (esp., the unforgettable Song X tour with Metheny/Haden/DeJohnette + The Colemans) as easily some of the greatest concerts I’ve ever experienced. Change of the Century, for real.
Wish I could be listening to his WKCR day-long birthday broadcast now (cranked “Focus on Sanity” they were playing from the car when I dashed to lunch here in un-scenic Secaucus, NJ), but I forgot my headphones and work in a truly Kafka-esque office with a floor of tightly arranged cubicles extending out to the horizon. Sort of (film blog that this is) like the office scenes in Welles’ The Trial…
Ornette: Made in America – no longer criminally unavailable:
video on demand stream
http://www.realeyz.tv/en/shirley-clarke-ornette-made-in-america_cont2029.html
@ groove68: Thanks, it’s good to know it can be seen that way. I’d love to see a full-blown restoration, of that and of a few other Clarke films.
@ James: Yeah, all the Ornette shows I’ve seen have been keepers: Carnegie Hall, the legendary Prime Time/original quartet “In All Languages” show at Town Hall, the Battery Park show idiotically cut short by the cops. I hope to see the man at least a couple more times while we’re still around.
Re: Clarke: No kiddin’! I caught some of her work at the Anthology retrospective, and was amazed at how influential much of it is. The Connection, obviously, is the one that everyone should know; I hadn’t realized up until then how decisively it formed the whole NY indie aesthetic, from Panic In Needle Park to Trees Lounge. It’d also be nice to have a non-bootleg version of her memorable performance in Varda’s Lion’s Love—not a great movie (probably the only Varda that isn’t a great movie), but a helluva time capsule.