CriticsHousekeeping

How it's done

By April 16, 2010No Comments

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  • bill says:

    I take issue with Darghis say­ing that the cri­ti­cism of Moretz’s char­ac­ter is “per­haps” based more on the pro­fan­ity than the viol­ence. I’ve read no cri­ti­cism of the film that claims to be more bothered by the swear­ing. It goes along with that old bit of received wis­dom that people are more offen­ded by sex than by viol­ence. That was prob­ably true at one time, but I don’t really think it’s the case any­more. What with all the SAWs and HOSTELs and what have you.

  • Glenn Kenny says:

    Having not yet seen “Kick-Ass,” I don’t know wheth­er I agree with MD on this point or not. I just hap­pen to think this is a near-exemplary review—lively, well-informed, unpretentious.

  • She mounts a sol­id cri­ti­cism of it without sound­ing out of touch, which will prob­ably be the first line of defense from those who love the movie.

  • bill says:

    It is a good review, over­all – that the­ory just bugs me. And I don’t really have much interest in KICK-ASS bey­ond an idle curiosity.
    Craig, from what I’ve gathered that “out of touch” defense is already happening.

  • S. Porath says:

    I think that her the­ory is reas­on­able. She was talk­ing about the cast­ing pro­cess. I think it’s prob­ably true that people who need to okay things will be more daun­ted by the idea of an 11 year old curs­ing than an 11 year old killing. The curs­ing is more troub­ling in terms of the act­ress because it’s real ‑this is actu­ally an 11 year old girl say­ing one of the few pro­fan­it­ies that can still pack a punch. That can­not be said about the viol­ence. That being said, I would agree that in terms of the final product, the glee­ful viol­ence takes the cake in the ‘dis­turb­ing’ category.
    I’m always amazed at how much sali­ent inform­a­tion and opin­ion Dargis man­ages to get through in a single piece. And cer­tainly the lack of the ‘out of touch’ sense will hope­fully help it get through to more people, not tag­ging it in the ‘old kill-joy’ sec­tion of fan­boy oppos­i­tion. Though after read­ing Harry Knowles response to Ebert’s 1 star review, I thank the lord that I’m out of touch. It is one of the most shock­ingly and bluntly stu­pid things that’s ever come out of that place.

  • lipranzer says:

    It goes along with that old bit of received wis­dom that people are more offen­ded by sex than by viol­ence. That was prob­ably true at one time, but I don’t really think it’s the case anymore.”
    All due respect, but I would dis­agree. I remem­ber when “The Sopranos” was at its height, and on the tele­vi­sion for­ums I’d post on, people would com­plain when there was­n’t enough viol­ence on the show, and yet be squicked out by the sex. Granted, it was the stuff involving Joe Pantoliano’s char­ac­ter, which I agree was pretty weird, but still, I found that curi­ous. And yes, that was a few years ago, but while the SAW and HOSTEL movies may have turned people off viol­ence to some degree, I don’t see a lot of frank or adult looks at sex on-screen either.

  • John M says:

    What lipran­zer said.

  • Yeah, Dargis is, as always, ter­ri­fy­ingly per­fect. Her abil­ity to finger-wag without sound­ing haughty, and her knack for pack­ing one joke after anoth­er into her sen­tences without ever becom­ing flip, is humbling.

  • John M says:

    A.O. Scott, regard­ing Bill’s con­cerns (though not sid­ing with Bill, exactly):
    http://www.nytimes.com/2010/04/18/movies/18scott.html?hpw