AsidesSome Came Running by Glenn Kenny

Croupier

By April 20, 2010January 12th, 20266 Comments

Gesture SCR

Did Hollywood know just what it had in Marcel Dalio? He fled the Nazi occu­pa­tion of France not ter­ribly long after giv­ing one of the greatest per­form­ances in film his­tory, as the Marquis de Chesnaye in Renoir’s La régle du jeu…and once in the city of nets, largely played a series of croupi­ers and con­ci­erges and the like. (Okay, he got to play Clemenceau in that ulti­mate white ele­phant movie Wilson.)

Of course he made a par­tic­u­larly spec­tac­u­lar croupi­er. And man­aged to play dif­fer­ent types of croupi­ers, even. In Casablanca, play­ing Emil, he was tent­at­ive, har­ried, eas­ily flustered, always try­ing to please his cyn­ic­al but strangely bene­fi­cent mas­ter Rick Blaine. (You’d nev­er guess that his real-life self was at the time mar­ried to the rav­ish­ing Madeleine Lebeau, who played Yvonne, the gor­geous would-be con­quest of Captain Renault. Who is of course saved from Renault’s clutches via a Blaine-directed manip­u­la­tion of the roul­ette wheel. [UPDATE: As com­menter Vanwall points out, I’ve got my babes mixed up, and Yvonne is in fact the “where were you last night?” castoff of Rick him­self. The point stands, kind of, but I regret the error. Serves me right for cre­at­ing a post at such an ungodly hour.]) And in von Sternberg’s The Shanghai Gesture, made a little before Casablanca, he is ice-cold, imper­i­ous, as Marcel, “mas­ter of the spin­ning wheel,” one of the many agents of the down­fall of poor little rich girl Poppy Charteris (the incred­ible Gene Tierney). Gesture, an inef­fable  exem­plar of “sad­ist­ic cinema,” is giv­en a longer look today at The Auteurs’; a recent video ver­sion of it is the sub­ject of today’s Foreign Region DVD Report

6 Comments

  • Steve Simels says:

    My favor­ite Dalio per­form­ance, how­ever, remains his hil­ari­ous cyn­ic­al old man school­ing Art Garfunkel in “Catch-22.”

  • sheila says:

    Awesome. He has some of my favor­ite moments in Casablanca – I love how much nuance he could get into that part, and his career is really some­thing to admire. What a survivor.

  • The Siren says:

    Karen Green was remind­ing me that Dalio also has a great turn as Grandpere Bonnard in The Happy Time:
    Susan Bonnard: Where are you going?
    Grandpere: Out.
    Susan: You should be in bed.
    Grandpere: It is only a mat­ter of time.

  • Brian says:

    He’s great in “To Have and Have Not” obvi­ously as well. But of course, his hall­mark in that close-up in La Regle when he shows off his new toy to the ador­ing audi­ence. Dare I say, maybe the best use of the close-up in film history?

  • Vanwall says:

    It would be a nice thought, but you’ve got your babes mixed up in Casablanca. The good Capitaine lost the sul­try Brandel girl in the wheel fix, but I’m sure he snagged Rick’s extra­vag­ant throw-away Yvonne soon­er than later.

  • Tom Block says:

    Maybe my favor­ite Dalio moment: when he real­izes Gabin and Parlo have slept togeth­er, then steps for­ward to shake their hands–Parlo’s first.