Asides

Croupier

By April 20, 2010No Comments

Gesture SCR

Did Hollywood know just what it had in Marcel Dalio? He fled the Nazi occu­pa­tion of France not ter­ribly long after giv­ing one of the greatest per­form­ances in film his­tory, as the Marquis de Chesnaye in Renoir’s La régle du jeu…and once in the city of nets, largely played a series of croupi­ers and con­ci­erges and the like. (Okay, he got to play Clemenceau in that ulti­mate white ele­phant movie Wilson.)

Of course he made a par­tic­u­larly spec­tac­u­lar croupi­er. And man­aged to play dif­fer­ent types of croupi­ers, even. In Casablanca, play­ing Emil, he was tent­at­ive, har­ried, eas­ily flustered, always try­ing to please his cyn­ic­al but strangely bene­fi­cent mas­ter Rick Blaine. (You’d nev­er guess that his real-life self was at the time mar­ried to the rav­ish­ing Madeleine Lebeau, who played Yvonne, the gor­geous would-be con­quest of Captain Renault. Who is of course saved from Renault’s clutches via a Blaine-directed manip­u­la­tion of the roul­ette wheel. [UPDATE: As com­menter Vanwall points out, I’ve got my babes mixed up, and Yvonne is in fact the “where were you last night?” castoff of Rick him­self. The point stands, kind of, but I regret the error. Serves me right for cre­at­ing a post at such an ungodly hour.]) And in von Sternberg’s The Shanghai Gesture, made a little before Casablanca, he is ice-cold, imper­i­ous, as Marcel, “mas­ter of the spin­ning wheel,” one of the many agents of the down­fall of poor little rich girl Poppy Charteris (the incred­ible Gene Tierney). Gesture, an inef­fable  exem­plar of “sad­ist­ic cinema,” is giv­en a longer look today at The Auteurs’; a recent video ver­sion of it is the sub­ject of today’s Foreign Region DVD Report

No Comments

  • Steve Simels says:

    My favor­ite Dalio per­form­ance, how­ever, remains his hil­ari­ous cyn­ic­al old man school­ing Art Garfunkel in “Catch-22.”

  • sheila says:

    Awesome. He has some of my favor­ite moments in Casablanca – I love how much nuance he could get into that part, and his career is really some­thing to admire. What a survivor.

  • The Siren says:

    Karen Green was remind­ing me that Dalio also has a great turn as Grandpere Bonnard in The Happy Time:
    Susan Bonnard: Where are you going?
    Grandpere: Out.
    Susan: You should be in bed.
    Grandpere: It is only a mat­ter of time.

  • Brian says:

    He’s great in “To Have and Have Not” obvi­ously as well. But of course, his hall­mark in that close-up in La Regle when he shows off his new toy to the ador­ing audi­ence. Dare I say, maybe the best use of the close-up in film history?

  • Vanwall says:

    It would be a nice thought, but you’ve got your babes mixed up in Casablanca. The good Capitaine lost the sul­try Brandel girl in the wheel fix, but I’m sure he snagged Rick’s extra­vag­ant throw-away Yvonne soon­er than later.

  • Tom Block says:

    Maybe my favor­ite Dalio moment: when he real­izes Gabin and Parlo have slept togeth­er, then steps for­ward to shake their hands–Parlo’s first.