HilarityPerhaps unexpected sports fandomself-indulgence

Me-eee aaa-and Cleon, Cleon Jones...

By June 25, 2010No Comments

With Cleon Jones

These over­de­termined wordplay-on-oldies-song-lyrics blog post head­lines don’t write them­selves, you know. They some­times take weeks, even months of preparation.

Mr. Jones (and aren’t you glad I did­n’t title the post “Mr. Jones and me?”… of course you knew I’d nev­er do some­thing so gauche and taste­less), whose catch made the last out in the 1969 World Series—and if you have to ask what team, then, among oth­er things, you’re not pay­ing suf­fi­cient atten­tion to the ban­ners above our heads—visited my loc­al Citibank today and of course I had to pay my respects. I don’t think it’s telling tales out of school to reveal that as I was walk­ing in, Mr. Phillip Lopate was walk­ing out, hav­ing paid his own respects. We old-school Mets fans are quite the band of broth­ers, happy breed, etc., etc.

Have a splen­did week­end, all.

No Comments

  • Ryan Kelly says:

    The image of him mak­ing that final catch and drop­ping to his knees is some of my favor­ite imagery I’ve ever seen in sports (obvi­ously I did­n’t see the games when they were first played, as my mom was 4 in ’69, but SNY shows the ’69 World Series all the time). It sums up the unlikeli­ness of it all so beau­ti­fully. I’m super jeal­ous that you got to meet him. But maybe this 2010 Mets squad is in the pro­cess of for­ging their own mir­acle run…

  • Ryan Kelly says:

    Also, I’d like to request more posts tagged with ” Perhaps unex­pec­ted sports fandom”.

  • Chris O. says:

    Anyone watch­ing the “30 For 30” doc­u­ment­ar­ies on ESPN? I’ve only seen a couple (Maysles’ Ali and Klores’ Reggie Miller) and have anoth­er two recor­ded, but they were great and should be get­ting more press in the movie blogs.

  • Tim Grierson says:

    Chris O., I abso­lutely agree – and I haven’t even seen the ones you’ve men­tioned. But the Steve James doc on Allen Iverson (“No Crossover”) and the Brett Morgan one on the O.J. free­way chase (“June 17, 1994”) were quite impress­ive. “The Two Escobars” is wait­ing on my DVR, and I know sev­er­al people who think it’s the best one yet.

  • jwarthen says:

    This Braves fan sent this pic­ture to two oth­ers (one in England) who have fol­lowed the game since the ’50s and know a great sea­son like ’69 moots most fan alle­gi­ances (hell, Cleon, Al Weis, and their team clocked the Braves in three straight lop­sided play­off games). Was delighted you shared this picture.

  • brad says:

    Tim, The Two Escobars is by far the best of the series so far.…it’s lit­er­ally haunt­ing. Watching the WC today my wife actu­ally men­tioned that she has­n’t been able to shake it since watch­ing it a few nights ago. It’s all just so ter­ribly sad and a tragedy of such linger­ing effects. I remem­ber Andres’ goal vividly watch­ing a friends liv­ing room as it happened, but as it approached again dur­ing the film I could­n’t help but root for Columbia to some­how rewrite his­tory and beat the U.S. I can­’t recom­mend it highly enough.
    Personally, I also found one of the first in the series on Miami Hurricane foot­ball fas­cin­at­ing as well. As was the piece on Ricky Williams. I haven’t seen them all, but there has­n’t been a miss yet in what I have seen.

  • Chris O. says:

    Okay. Just watched Brett Morgen’s “June 17, 1994” and I think it’s one of the best films I’ve seen this year, thus far. It reruns Wed. night at 11pm and every­one should check it out. No talk­ing heads nor voi­ceover. Will record “The Two Escobars” Friday at 1:30am (it’s actu­ally two hours) and I’m anxious to see it.

  • Tim Grierson says:

    Brad – I should have men­tioned the one about the Hurricanes (“The U”) as well. It was dir­ec­ted by Billy Corben, who a few years ago did “Cocaine Cowboys” about Miami’s 1980s drug wars, one of the most won­der­fully lur­id and grip­ping doc­u­ment­ar­ies of recent years. When I watched “The U,” I remem­ber think­ing, “This is like the sports ver­sion of ‘Cocaine Cowboys.’ ” And sure enough it was the same filmmaker.
    Chris O. – I agree that Morgen does a great job for the most part of stay­ing out of his foot­age’s way, but in what may con­sti­tute a Spoiler Alert, I did wish he had refrained from the ironic/literal use of a cer­tain sem­in­al late-’70s/early-’80s New York band’s song near the end. Just seemed too self-consciously clev­er for my taste.

  • frankbooth says:

    Thin, God DAMN you’re one thin fucker!