Affinities

Tonight, on a very Psychotronic episode of "Murder, She Wrote..."

By September 27, 2010No Comments

Brandon Fletcher

…guest stars Michael Brandon…

Brandon flies 

…(also of Dario Argento’s Four Flies on Grey Velvet, 1971)…

Saxon:Lansbury 

…John Saxon…

Saxon tenebre 

…(Dario Argento’s Tenebre, 1982)…

Fletcher LoBianco 

…and Tony Lo Bianco…

Honeymoon 

…(Leonard Kastle’s The Honeymoon Killers, 1969)…

This is just weird. That cast­ing dir­ect­or had to have some idea, no? In any event, the Murder, She Wrote epis­ode is 1994’s “Proof In The Pudding,” and its mys­tery has among the lamest solu­tions to any in the series, and believe me, My Lovely Wife and I have seen quite a few epis­odes. Right now, as you may have inferred, we’re work­ing our way through the Season Ten DVD set.

I prob­ably don’t need to tell you that the woman in the Flies screen cap with Brandon is the inef­fable Mimsy Farmer, or that the woman with Lo Bianco in Killers is the immor­tal Shirley Stoler. Am I correct?

No Comments

  • bill says:

    So did Larry Tucker ever pop up on this show, or what?

  • Mark Slutsky says:

    Did Chaka Demus & Pliers ever appear on the show?
    http://www.youtube.com/watch?v=-av7F1JBmj4

  • I haven’t seen Brandon very much but at my daugh­ter­’s com­mand I hear him every­day, as the voice of the Storyteller on PBS’ long-running THOMAS & FRIENDS. “Fizzling fireboxes!”

  • RIP Gloria Stuart, age 100. Among oth­er things she, too, was a MURDER, SHE WROTE alum.

  • Kinda going off top­ic, but …
    Thinking spe­cific­ally of Shirley Stoler, I won­der how much of her immor­tal­ity (which she def­in­itely does deserve … don’t get me wrong) was based on THE HONEYMOON KILLERS hav­ing been her first role and then not hav­ing much of a career after­ward. In oth­er words, she was kind of frozen in amber as Martha Beck, and thus stick­ing in the memory iden­ti­fied as that role in a way that a more ver­sat­ile or pro­lif­ic act­ress might not have been.
    So my mind drif­ted to my favor­ite per­form­ances of all time and I drew up a very unsat­is­fact­ory list of 10, at least one from each of the four cat­egor­ies. And I found that most of them were my first expos­ure to that act­or, in most cases, I had­n’t seen a lot else by them, and some of those oth­er roles even seemed to fold into the one I think among the greatest of all time.
    In oth­er words, does it help to have or only be known for a few roles. Here’s that list of mine:
    Gloria Swanson in SUNSET BLVD – First time I’d seen her, since only seen her in two or three oth­er films, all silents, which seems appropriate
    Vivian Leigh in STREETCAR NAMED DESIRE – Second time I’d seen her, but that first-seen role (GWTW, obvi­ously) deep­ens and enriches her here; still only seen her in one addi­tion­al time
    Liza Minnelli in CABARET – First time I’d seen her, seen her a few times since obvi­ously, but usu­ally as a music­al per­former I can assim­il­ate to Sally Bowles
    Marlon Brando in LAST TANGO IN PARIS – Rule, meet exception
    Aurelien Recoing in TIME OUT – First time I’d seen him, nev­er seen him since
    Olivier Gourmet in THE SON – Second time I’d seen him; only once ever seen him out­side the Dardennes’ uni­verse, where he’s a con­stant presence
    Orson Welles in THE THIRD MAN – Rule, meet anoth­er exception
    Jean Hagen in SINGIN IN THE RAIN – First time I’d seen her, only con­scious of hav­ing seen her twice since
    Agnes Moorehead in THE MAGNIFICENT AMBERSONS – Now I saw the entire run of “Bewitched” before I heard of Welles, but frankly, she does­n’t here look much Endora, though you can hear the voice
    Zasu Pitts in GREED – First time I’d seen her, and it becomes more eye-popping when you learn (and actu­ally see her as) a slap­stick com­edy star

  • colinr0380 says:

    Apropos of noth­ing many years ago my fam­ily got the Murder, She Wrote board game and played it with my Angela Lansbury-esque grand­moth­er when we vis­it­ing her place on hol­i­day. The game was kind of a rip off of Cluedo and involved every­body leav­ing the room and then each per­son tak­ing it in turns to go alone into the room with the game and make their move – the twist of course being that the per­son who had been dealt the mur­der­er card would go about bump­ing people off.
    The game began to get very con­fus­ing at around the halfway point, and it was only quite near the end that we as a fam­ily found out that my lovely, kindly grand­moth­er who would­n’t hurt a fly had unfor­tu­nately been dealt the mur­der­er card, and not only that but she was­n’t really cer­tain about the rules of the game and every time she took a turn at mak­ing her move in secret had killed a char­ac­ter, or even resur­rec­ted them!
    She single handedly man­aged to turn a pretty aver­age TV spin-off board game into a won­der­fully mem­or­able and charm­ing fam­ily moment!
    I won­der if there was ever a Murder, She Wrote epis­ode where Jessica Fletcher turned out to be the giallo-esque psycho­sexu­al killer? (à la Tenebrae?)

  • Pete Segall says:

    I won­der if there was ever a Murder, She Wrote epis­ode where Jessica Fletcher turned out to be the giallo-esque psycho­sexu­al killer? (à la Tenebrae?)”
    I seem to recall one where she mauled a blind Udo Kier.

  • Claire K. says:

    Oh, that’s how the series ends–we dis­cov­er that Jessica Fletcher was the mas­ter­mind behind all 12 sea­sons’ worth of killings, and had metic­u­lously engin­eered fram­ings for every accused killer. A really unex­pec­ted conclusion.