AestheticsImagesTheodicy

Satan is real

By October 27, 2010No Comments

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  • Grant L says:

    One of those won­der­ful child­hood memor­ies, of hap­pen­ing upon this on net­work TV just as it was start­ing, nev­er hav­ing heard a thing about it before.

  • Grant L says:

    And damn, you’re right, it does look like that big Satan thing they made for the album cover…or one of the Louvins them­selves, with horns.

  • Oliver_C says:

    Which freaks you out more, the above image – or the stomach-churning, proto-torture porn concept of ‘human pulp’, pion­eered in ‘Quatermass II’?

  • Lord Henry says:

    Okay I’m dumb. What’s this from?

  • Thanks, Lord Heny, for beat­ing me to it…

  • Glenn Kenny says:

    Well, the two of you need to go watch “Quatermass and the Pit” pretty much before you do any­thing else today. Indulge me, please, as I say “yeesh,” and roll my eyes patronizingly.
    I bet Don Lewis did­n’t know what movie this was either. Okay, maybe he did, but that Bewersdorf pally of his, no way.

  • Joe Strike says:

    Lord Henry:
    The image itself is from the movie’s (‘5 Million Years to Earth’ as it’s known here in the US) creeped-out cli­max. Movie begins with the dis­cov­ery of an ali­en space­ship – that turns out to be 5 mil­lion years old – dur­ing excav­a­tion for a new Underground sta­tion in London…
    And *then* it starts get­ting weird :-)) Along with “Curse(aka Night) of the Demon,” my all time favor­ite British sci-fi/horror film.

  • Peteramartin says:

    This par­tic­u­lar image really creeped me out as a God-fearing child stum­bling across the movie on broad­cast TV. Happily, the movie stood the test of time – and exceeded my memor­ies – when I watched it again on TCM last week.
    Unfortunately, it’s not so easy to see nowadays. Not cur­rently avail­able on home video, accord­ing to Amazon, and not avail­able from Netflix. Wish I’d taped the TCM showing.

  • Glenn Kenny says:

    I had LOST my old, out of print domest­ic DVD of the film…but it’s just been rein­stated, cour­tesy of the Optimum Hammer box set, Region 2 UK only. Just so you know.

  • The film of Quatermass And The Pit is ter­rif­ic but the tele­vi­sion show of the same name is even bet­ter. Its in black and white, which adds to the creep­i­ness, its got more time to build sus­pense, and is sug­gest­ive of old world evil when things begin to go wrong. All of the ham­mer Quatermass movies are worth a viewing.

  • That’s a great image from a great film. Reminds me that I still need to watch the DVD of the ori­gin­al BBC seri­al version.

  • Nate Yapp says:

    God I love this movie. I wish I had it on DVD.

  • Ahhhh! I’ve been mean­ing to watch that one ever since Greil Marcus spouted off about it. Doesn’t seem to be on Netflix, though.

  • Glenn Kenny says:

    @ Fuzzy: Yeah, you need to get on that: “Lipstick Traces” was a WHILE ago. It’s worth not­ing that Marcus’ account of the film is, not alto­geth­er untyp­ic­ally, a little on the over­heated side, in the man­ner of someone who watched the pic­ture in a fever dream (or maybe on a pot high?) and then cobbled togeth­er an account from scrawled half-notes later on. Just so you know. Still, great film in any event.
    @ Pete: Yes, and of course it was nice to see Mr. Donald again so soon after enjoy­ing him in the Lafayette’s present­a­tion of “Kwai…”

  • bill says:

    Glenn, do you mean that big, 21 disc, or whatever, Hammer set, that comes in a black fold-out box with a red cross on the front? Yeah, I have that. It’s gor­geous. However, as I still haven’t replaced my effed up region free play­er, I can­’t watch it, and there­fore I also haven’t seen QUARTERMASS AND THE PIT. Goddamnit.

  • D Cairns says:

    I can­’t tell you any­thing about the BluRay of the first Quatermass movie YET, but the TV ver­sion of PIT is indeed worth check­ing out. It was broad­cast live, so the fear you see on the act­ors’ faces is quite genuine…

  • Joe Strike says:

    Anybody who wants a DVD of the movie should hang around in Union Square NYC & hope the guy who sells rare titles from a fold­ing table shows up again. (That’s where I got mine, along with 7 Faces of Dr. Lao, The Alligator People and The Mysterians.)

  • Glenn Kenny says:

    Or a body could hie to, say, the Chiller Theatre Expo in Jersey this week­end and prob­ably snag a copy from one of the 100%-legit-no-doubt table deal­ers there…

  • Joe Strike says:

    Is that at the Loews Jersey in Journal Square? (If not, it should be)

  • Jason M. says:

    Wow. Must see this; it looks fantastic.

  • hisnewreasons says:

    Netflix is ter­ribly stingy with Nigel Kneale. I man­aged to catch Quatermass and the Pit before it van­ished. I also saw the last Quatermass series which has one of the sad­dest end­ings ever cre­ated. But bey­ond that, I may have to be a bad boy and watch “The Stone Tapes” on YouTube.

  • Lord Henry says:

    For some reas­on I had it in my mind that QUATERMASS AND THE PIT was in b&w. I think it was because they’ve re-run the orig­nal TV series on British TV. Got to get this now, that’s a great shot.
    his­ne­wreas­ons – THE STONE TAPES is great!
    Joe Strike – ditto for NIGHT OF THE DEMON. I was think­ing about Dana Andrews the oth­er day (as you do). NIGHT OF THE DEMON, BOOMERANG!, LAURA, A WALK IN THE SUN, THE OX-BOW INCIDENT, and THE BEST YEARS OF OUR LIVES – that’s a pretty great run of films for an act­or who now seems to be entirely for­got­ten. I’m also one of the few people who thinks THE LAST TYCOON is a good film. Great drunk act by De Niro, and one of Nicholson’s most relaxed per­form­ances. Also, Theresa Russell prov­ing in her first film that not only is she a hotsy-totsy but she’s a very fine act­ress as well, as STRAIGHT TIME, BAD TIMING and EUREKA would later prove.
    And THE BEST YEARS OF OUR LIVES reminds me of a great trivia ques­tion – Who is the only act­or to win two Oscars for the same role? Who is the only act­or to have sold an Oscar? They’re the same person.
    In these Internet days there’s no reas­on to keep any­one in sus­pense. It’s Harold Russell.
    Just saw Shion Sono’s COLD FISH at the LFF. I liked it, but as my mis­sus said, “That’s a good film, but that dir­ect­or’s got prob­lems.” Plus MY SON, MY SON, WHAT HAVE YE DONE on DVD. With that and BAD LIEUTENANT, Herzog gets my vote for Director of the Year.
    Sorry for rat­tling on, I’ve had a few beers. Often the best way to watch Werner.

  • Paul says:

    Glad you got on to the Hammer box, Glenn. There’s a lot to explore there. Straight On Til Morning and Demons of the Mind are worth the pur­chase price all by themselves…

  • Vanwall says:

    Kid’s play­in!” on Hob’s Lane.

  • Demons of The Mind is a ter­rif­ic film. The box set also includes such gems as The Reptile, The Plague Of The Zombies, Dracula: Prince Of Darkness, Rasputin The mad Monk and Blood From the Mummy’s Tomb. (And the amaz­ingly weird oddity that is Prehistoric Woman. Awful film but you know… additctive)

  • Glenn Kenny says:

    Yes, yes, yes; that Optimum Hammer box is a 21-disc thing of beauty and Amazon U.K. has it for some­thing like 35 pounds, which even with deliv­ery comes out to maybe four bucks a disc. A pack­age no region-free home should live without:
    http://www.amazon.co.uk/Ultimate-Hammer-Collection-Disc-Box/dp/B000HN31KQ/ref=sr_1_1?ie=UTF8&qid=1288660588&sr=8–1

  • Bob Turnbull says:

    Just fol­low­ing up now because yes­ter­day I received that lovely 21 disc Hammer box in the mail after order­ing it due to this post. I’ve wanted to see Quartermass And The Pit for some time, so when I star­ted search­ing for it after read­ing this, I found the set on amazon.co.uk for 35 pounds – $56 for 21 Hammer films. Guess how long it took me to decide to buy that puppy?
    Anyway, I just fin­ished the film and it’s a whole whack of fun. So thanks Glenn…B-)
    Lord Henry, I saw “Cold Fish” at TIFF and thought it was an abso­lutely fear­less piece of film­mak­ing. Along with “Love Exposure”, “Strange Circus” and “Noriko’s Dinner Table”, it makes a case for Sono as one of my favour­ite cur­rently work­ing filmmakers.