HousekeepingMovies

The current cinema, time has come today edition

By March 31, 2011No Comments

SC

One of the advant­ages of being older is you are able to reach back farther for your them­at­ic cul­tur­al ref­er­ents for headlines.

Source Code was­n’t bad at all; review here.  Rubber isn’t nearly as good or as smart as you may have heard, as I get into here, and as usu­al, I dare you to spend money to find out which of us is right. Hop is utterly ghastly and if you have young chil­dren I feel very bad for you because there’s almost no way you’ll be able to avoid it, and I com­mis­er­ate with you, vir­tu­ally, here

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  • Oliver_C says:

    When first announced, ‘Hop’ reminded me of ‘Drop Dead Fred’. Is it even worse?

  • Glenn Kenny says:

    I’d say so.

  • Noam Sane says:

    Stopped read­ing your “Source Code” review in the middle of the 2nd graph. Too spoil­er­ish. Skipped to the last sen­tence, that’ll do.
    “Moon” was ter­rif­ic. Will make it a point to catch the new one. Also glad to know to avoid “Hop”.
    As for “Drop Dead Fred,” did you ever notice how much the lead sing­er from The Arcade Fire resembles Rik Mayall?

  • colinr says:

    I like the French accent on dis­play in the Rubber review Mr Kenny! It was like I was right there in a café in the centre of Paris hav­ing an over earn­est film­maker talk­ing about the nature of con­scious­ness in between tak­ing drags on a cigarette! 🙂

  • I.B. says:

    But Karina Longworth’s review of ‘Rubber’ is a rave!

  • Glenn Kenny says:

    @ Noam Sane: I gen­er­ally try to keep things spoiler-free in my reviews, so if you thought I was giv­ing too much away, sorry. But hon­est, there really is a lot more bey­ond the set-up I was describ­ing, so…
    @ Colin R: Merci.
    @ I.B.: Yes, I saw that. Pretty funny, but also in its way a kind of object les­son in the ulti­mate futil­ity of try­ing to take oth­er review­ers to task. For any­thing. There’s just no per­cent­age in it. Except for invok­ing that immor­tal Christgau “I‑dare-you-to-spend-money…” line.

  • Graig says:

    Wings Hauser might be the coolest god­damn name ever.
    And I’m pretty much with you on RUBBER, which I caught at an advance screen­ing last week. Put me in mind of Gus Van Sant’s GERRY, but nowhere near as har­row­ing, funny, or sad.

  • Dan Coyle says:

    Speaking of Wings Hauser, I recently saw Tough Guys Don’t Dance. A pretty inept… Thing, but Hauser was hav­ing a great time.

  • jbryant says:

    Gotta love Wings in Gary Sherman’s great VICE SQUAD, espe­cially since he does double duty, “singing” the theme song, “Neon Slime.”

  • JDemetr says:

    I saw Rubber a couple weeks ago at an IFC thing with the dir­ect­or. Rarely does a film­maker­’s atti­tude towards his own film really mat­ter to my enjoy­ment, but in this case Quentin’s low key laid back dry humor in per­son made his film equi­val­ent a lot more invit­ing than it oth­er­wise would have been. Guess he just has to schlep to ever theat­er play­ing it.

  • Chris O. says:

    Dug SOURCE CODE. But there is a ref­er­ence in Chris Bacon’s score to anoth­er movie score near the end that is only used once (and played on some­thing like a zith­er or balalaika or dul­ci­mer) that is driv­ing me abso­lutely crazy.

  • bmo says:

    I like the French accent on dis­play in the Rubber review Mr Kenny!”
    +1

  • Kevyn Knox says:

    My favour­ite (incid­ent­al) part of Source Code is the cast­ing of Scott Bakula as Gyllenhaal’s fath­er (via voice-over only). THe ori­gin­al Quantum Leaper has sired.…well, you know.

  • jbryant says:

    Kevyn: Cool. Do James Darren and Robert Colbert have cameos, too? 🙂

  • John Keefer says:

    Rubber was a bit baff­ling to me. I can­’t under­stand expend­ing the effort to make a film that con­stantly under­mines itself in such an inept man­ner only to come to…I don’t really know what. A straight for­ward “no reas­on” killer tire movie could have served fine as satire. I did laugh a bit when the spec­tat­ors devoured the tur­key but then the movie just felt the need to put a but­ton on it in case you did­n’t get that they were anim­als. Couldn’t leave any­thing uncom­men­ted upon, guess that says some­thing about the mod­ern view­ers psyche or that the film­maker does­n’t know when to leave well enough alone. It’s like he ran by a classroom and over­heard someone men­tion “film as film cri­ti­cism” and ran with it. I bet Hobo with a Shotgun at least has the strength of it’s con­vic­tions. Which was the oth­er choice for last nights view­ing. Thankfully we decided to watch The Great Muppet Caper, a movie that’s not only joy­ous but knows how to break the 4th wall…it was my first time. I need more Muppets in my life.