Literary interludes

Literary interlude

By May 23, 2011No Comments

Winston stopped read­ing, chiefly in order to appre­ci­ate the fact that he was read­ing, in com­fort and safety. He was alone: no telescreen, no ear at the key­hole, no nervous impulse to glance over his­shoulder or cov­er the page with his hand. The sweet sum­mer air played against his cheek. From some­where far away there floated the faint shouts of chil­dren; in the room itself there was no sound except the insect voice of the clock. He settled deep­er into the arm­chair and put up his feet on the fend­er. It was bliss, it was etern­ity. Suddenly, as one some­times does with a book of which one knows that one will ulti­mately read and reread every word, he opened it at a dif­fer­ent place and found him­self at the third chapter. He went on reading:

—George Orwell, Nineteen Eighty-Four, 1949

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  • bill says:

    Being famil­i­ar with NINETEEN EIGHTY-FOUR as I am, I really sug­gest that Winston savor this moment.

  • Have you ever read Zamyatin’s “We”? It’s a major pre­ced­ent to 1984—I believe Orwell openly cited it as inspiration—but with much more Russian mys­ti­cism instead of English realism.

  • Scott says:

    I love “We”, which, along with Samuel Butler’s “Erewhon”, I con­sider the greatest dysto­pi­an nov­el ever written.
    I’ve become a pretty big fan of Orwell is recent years, but it’s actu­ally more for his earli­er, pre-“Animal Farm” work. “Keep the Aspidistra Flying” is a great book. And “Homage to Catalonia” is obvi­ously a non-fiction masterpiece.
    I like “Nineteen Eighty-Four” a lot too. Though, I remem­ber read­ing a funny anec­dote about Martin Amis, who appar­ently gave up on the nov­el because the phrase “rug­gedly hand­some fea­tures” appears on the first page (which made him con­clude that Orwell was a second-rate writer). He did return to the nov­el even­tu­ally, how­ever, and admit­ted that it improves. Ha!