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Image of the day, 8/7/11

By August 7, 2011No Comments

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  • Fabulous film – so glad it’s being revived.

  • Graig says:

    Good movie. Saw it a few years ago in 35 mm at Cinefamily in Los Angeles. I wanna see it again. Anyone seen FOUR NIGHTS WITH ANNA? Now that one sounds really intriguing and seems some­what hard to find. Anyone seen ESSENTIAL KILLING?

  • The Siren says:

    Smudged white go-go boots. Love.

  • I’ve seen “Four Nights With Anna.” it’s rather odd as it presents a middle-aged Skolimowski char­ac­ter behav­ing exactly like an adoles­cent one – sneak­ing into a woman’s house and watch­ing her while she sleeps.
    “Essential Killing” is anoth­er story entirely. Very stark, very bleak and one of his very best.

  • Kevyn Knox says:

    Love Jane Asher. She nev­er got the respect she deserved as an actor.

  • haice says:

    Jane Asher, yes— but anoth­er prime joy is John Moulder-Brown bow­ing to the Chinese hot dog vendor.

  • Bill Sorochan says:

    Graig:
    Four Nights With Anna is an excep­tion­al film! It’s exquis­itely craf­ted, heart­break­ing, and extremely unset­tling in that unique Skolimowski fash­ion. The film’s avail­able on googlevid­eo in a great print. You’ve prob­ably seen it, but “Moonlighting” is anoth­er fant­ast­ic Skolimowski film that, sadly, seems to have been for­got­ten by most cinema lovers.

  • Glenn Kenny says:

    The hot dog vendor being the future Cato Fong, Burt Kwouk.
    And yes, the very dis­turb­ing and breath­tak­ingly terse “Four Nights With Anna” would make an instruct­ive double fea­ture with “Deep End.” Add “The Shout” for a fab­ulous triple fea­ture. Oh, that Jerzy; I’d say we needed quite a few of his pic­tures to get the excel­lent treat­ment BFI (who made the new Blu-ray/standard def set, which I’ll review in my next Blu-ray Consumer Guide) gave this won­der­ful film.

  • Hollis Lime says:

    Great, great film.
    Also, amaz­ing soundtrack. Cat Stevens AND Can.
    I’m gonna have “Mother Sky” in my head all day long.

  • Hollis Lime says:

    Now we need a good edi­tion of Skolimowski’s “Barrier”, anoth­er great com­ing of age film.

  • I.B. says:

    Someone PLEASE guar­an­tee me that the BFI dual Blu/DVD edi­tion has the movie in… DVD too.
    I’m almost poor.

  • Glenn Kenny says:

    How do you think I got the screen cap, I.B.? My MacBook don’t play Blu-rays.

  • bill says:

    My old DVR crapped out while I was in the middle of watch­ing this. That’s my sad story. THE SHOUT is great, too.

  • I.B. says:

    Ordering!

  • Tom Block says:

    The Deep End” is the best thing I’ve seen in weeks. The card­board cutout and the dia­mond in the snow…Man alive.

  • haice says:

    Also, Diana Dors!
    And how the body lan­guage and ward­robe of Moulder-Brown both anti­cip­ates Polanski in THE TENANT and Bowie in THE MAN WHO FELL TO EARTH.

  • jbryant says:

    This has been a holy grail film for me for ages. Even Eddie Brandt video in North Hollywood could­n’t track it down. Then I missed it at the American Cinematheque at the Egyptian Theater. Then it shows up on TCM a while back – but in the wrong AR. One of these days…
    Love Diana Dors in Seth Holt’s DANGER ROUTE, which is on Netflix Instant.

  • Kevyn Knox says:

    I watched Deep End earli­er today (pro­jec­ted on the big screen at the cinema my wife and I run togeth­er) and was pretty damn amazed. Sort of Polish/Czech New Wave meets Nouvelle Vague meets the mod British cinema of the time.
    It sort of reminded me of a pre-emptive mix of Harold & Maude and The Tenant – but maybe that’s just me.

  • Deathtongue_Groupie says:

    Wow, no LOOK AT HER! from Lex? He truly is dead.

  • Unkle Rusty says:

    Lex only seems to dig those fresh, flavor-o-the-month blowup dolls from the con­tem­por­ary American cinema.