Asides

Whitney Houston, 1963-2012

By February 11, 2012No Comments

With Material (Bill Laswell, Michael Beinhorn), Yogi Horton on drums, Archie Shepp on sax, Raymond Jones on piano. My friend Martin Bisi engin­eered the record­ing.  Composed by Hugh Hopper and Robert Wyatt, ori­gin­ally recor­ded by Soft Machine. Released 1982. 

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  • Jim Gabriel says:

    Sigh. Thanks for post­ing that. Back in the day that cut served as the trump card to lay on any­one who gave me the hairy eye­ball for call­ing her a spec­tac­u­lar, sui gen­er­is talent.
    At the risk of sound­ing like Jeffrey Wells – is there any­one since Elvis Presley, any­one that touched with the geni­us stick, whose gifts were so wasted on the bland­est junk? That to me is, and always has been, an occa­sion for sadness.
    Again, thanks for put­ting that up. Sometimes its nice to know that one’s enthu­si­asms aren’t as fringe as they seem.

  • jbryant says:

    Yeah, this is where I first heard her, too. I remem­ber the buzz built around her pretty quickly after that, but like Jim, I was mostly dis­ap­poin­ted in the dir­ec­tion she ended up tak­ing. She could’ve worked with any­body, but we got Michael Masser, David Foster…bleh…

  • Oliver_C says:

    I’d always thought the sole not­able aspect of ‘The Bodyguard’ (oth­er­wise a movie as gen­er­ic as its dir­ect­or’s name) was the rev­el­a­tion Houston’s char­ac­ter was being tor­men­ted by someone close to her, resent­ful of her suc­cess. Now that plot takes on an uncom­fort­able res­on­ance, alas…

  • ZS says:

    Thanks for the remind­er. I haven’t listened to One Down in years.

  • Angry Samoan says:

    Good rid­dance, Crackhead.

  • jbryant says:

    Gee, for a second there, I thought this might be one place on the web where no one would pull that com­plete lack of com­pas­sion and sym­pathy bullshit.

  • Glenn Kenny says:

    I was hop­ing for the same myself. Oh well.

  • Mr. Milich says:

    Angry Samoan still has­n’t got­ten over what happened to Tony Rocky Horror…

  • ZS says:

    Angry Samoan is glad because it means more crack for him.

  • Asher says:

    I’m not sure I agree that either her tal­ents or Elvis’s were wasted on the bland­est junk. To be sure, both recor­ded some bland junk, but there’s a lot of great 60s and 70s Elvis and a lot of great late 80s and 90s Whitney.

  • Oliver_C says:

    If only Presley had had Bobby Brown to manu­ally help him poop on that fate­ful day in 1977, instead of fatally over­strain­ing himself.

  • A very import­ant point, Oliver_C !
    Michael Jackson may have been the King of Pop, but Whitney was the Queen of Poop.

  • Glenn Kenny says:

    To address the points made by Mssrs. Bryant and Asher…as much as I adore “Memories,” I don’t know that a career bridging the oft-minimal (if only we could see it as so!) gap between the “pro­gress­ive” and the main­stream would have been a prop­er life’s work for Houston; I’ve nev­er seen an inter­view with her where she men­tioned the song or record­ing it. (Although Hugh Hopper was on record as being very pleased with it, albeit a little taken aback at how out of tune the usu­ally impec­cable Laswell’s bass it on the track.) And as much pap as she did lay down, she cer­tainly made it SOUND good. About 13 years ago I dated a woman who was REALLY into “My Love Is Your Love” and I was a little sur­prised at how listen­able an album it was. Still: A shame she was nev­er able to make her own “I Never Loved A Man.” I think she had the tal­ent to do so.
    When my band did some record­ing with Martin B. in December, I made the mord­ant joke that I now had more than one thing in com­mon with Whitney Houston. Oy.

  • Jim Gabriel says:

    Yeah, Asher, I pos­ted that without the par­en­thet­ic­al – Whitney’s music ana­log­ous to Elvis *films*, a bunch of “Clambake” to get to the “King Creole”, a truck­load of “One Moment In Time” to get to the “Shoop”, and cer­tainly no allu­sion to their respect­ive ends was inten­ded. That’s not a par­lor game I’m into at all.
    Which brings me to our friend Angry Samoan – may I call you “Angry”? I feel bad that I used the occa­sion of someone’s death to blurt out an under­baked, if closely held, thought. Now one expects you to be sad or light a candle for any­body, or even to “have a heart” about someone you don’t know. But I roll dif­fer­ently. I feel *ter­rible* that you failed to get Clive Davis to hook up one of his stable to cov­er “They Saved Hitler’s Cock”. I weep for your lost roy­al­ties and reduced status in the industry. But you need to look real­ity square in the eye. Like the devel­op­ment of your com­pas­sion gene, IT JUST DIDN’T HAPPEN. Be a bet­ter man. Try to rise above it.

  • Noam Sane says:

    It did­n’t help that she was of L.A., where over-produced crap is king. I hope she finds the peace of mind that obvi­ously eluded her here.

  • Jim Gabriel says:

    You for­got Frankie Five Angels. You know, while you’re on a roll.