Miscellany

Note to self: never go "full suicidal depression"

By March 2, 2012No Comments

I recently began writ­ing a cul­tur­al column for a web­site that addresses the con­cerns of cit­izens over fifty years of age. Yeah, I know. You can­’t read it yet because the site’s still in beta, but rest assured, when it goes “live” I’ll let you know, even if you aren’t over fifty years of age. In any event, I sent the below to my edit­or warn­ing him that the con­tents were a little on the “down­beat” side, and he wrote back to me say­ing, yeah, they were, and that’s why he was gonna decline to run it. So I have to come up with some­thing else. FML, as the kids say. Anyway, I figured I’d put it up here so the last couple of days of down­beat cogit­a­tion would­n’t be a total waste. N.b. that the title, the styl­ing, and the gen­er­al mode of address are under­taken with an ima­gin­ary audi­ence not entirely like the one for this blog in mind, so bear with that, if you would be so kind. 

Mr. Jones and me, and you

The short, imp­ish, British Monkee, Davy Jones, died at the end of February at the rel­at­ively young age of 66, of a heart attack. The eulo­giz­ing that went on in the vari­ous cyber aren­as rather pre­dict­ably touched on the burn­ing ques­tion of the music­al validity/authenticity of the ‘60s group referred to in some quar­ters as “the Pre-Fab Four” (for the record, my own con­tri­bu­tion to the Twitter debate was the bald state­ment “The Monkees made great records. Period.”). Which was fol­lowed by sen­ti­ment­al roman­ti­ciz­ing about how Jones died with his boots on, so to speak, still plug­ging away on the show­biz cir­cuit. One enter­tain­ment blog­ger who makes some­thing of a spe­cialty of demon­strat­ing his cour­ageous hon­esty by find­ing some­thing vin­eg­ar­ish to say about every celeb whose death notice comes under his transom wrote, “I was walk­ing south on Eighth Avenue when I happened to notice he was doing a live show in a mod­est ven­ue near the corner of 42nd Street. I remem­ber think­ing to myself, ‘Well, it’s a gig at least.’” Guess it’s a good thing for this guy’s sense of self-worth that there’s no blog­ger equi­val­ent of B.B. King’s Times Square nightclub, the ven­ue in ques­tion. Which does, truth to tell, book nos­tal­gia acts mostly. In any event, the con­ven­tion­al wis­dom is that if you’re still doing what you love when you kick it, you’ll have gone out some­how some­what ahead of the game.

Then again, it’s argu­ably all a mat­ter of per­spect­ive. It hap­pens I have a friend, a con­tem­por­ary of Jones’, who worked with the man WAY back in the day, on stage, when they were both child and teen act­ors respect­ively. “Well,” my buddy, whose sub­sequent life/career tra­ject­ory was rather dif­fer­ent from Jones’, reflec­ted, “this busi­ness is even tough­er than usu­al when you come into the way we did.” Jones and my friend were among the last of the “born in a trunk” kind, post-vaudevillian enter­tain­ers from child­hood on, trained and thrown on a stage so early they nev­er even neces­sar­ily got to fig­ure out if they were in fact doing what they loved. And while I’m all for the notion that doing what you love, either pro­fes­sion­ally or as a hobby, can keep you young at heart and of brain, the cul­ture these days does tend to spin a pretty facile nar­rat­ive around that notion. That nar­rat­ive con­tains at least two fal­la­cies: first, that one reas­on doing what you love is desir­able is that doing what you love is easy, or it should be, you know, provided you love it enough. The oth­er is that doing what you love will be a kind of pan­acea that’ll take care of all the oth­er ills of your life, and life in gen­er­al. Going all uto­pi­an on the idea tends to, among oth­er things, elide all sorts of economic/structural real­it­ies. But it also ties in to anoth­er rather dubi­ous cul­tur­al meme, all about our “stor­ies.” This week I saw the movie “Being Flynn,” which was adap­ted from the mem­oir “Another Bullshit Night In Suck City,” and the title change tells you everything you need to know about the movie, really. In any event, at one point in the movie, its hero, a young writer (who, to be fair, DOES encounter some dif­fi­culty in doing, you know) observes, “We all need to cre­ate a story that makes sense of our lives.” This obser­va­tion may indeed have its roots in Joseph Campbell or someone equally ven­er­ated, but the last time I heard it put so flatly was in a damn Citibank com­mer­cial. My own takeaway from a too-soon death like that of Jones’ (a cul­tur­al fig­ure I cer­tainly respec­ted but did not hold hugely dear), or any­body else’s, even­tu­ally gets to the inad­equacy of our own plat­it­udes to really deal with them.

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  • andy says:

    Au contraire”–is that what he said? He’s crazy!

  • bill says:

    Glenn, I don’t know if you saw the short piece by Mike Nesmith that’s been float­ing around Facebook. I don’t know how much ice it would cut with you – which isn’t a jab of any sort, because I think you and I under­stand each oth­er pretty well in these mat­ters – but it was, for lack of a bet­ter phrase, very sweet. And nice, too. Which I say sincerely.

  • Glenn Kenny says:

    @ Bill: Yeah, I did see and like Nesmith’s piece, which reminded me a bit of some of the thoughts my late pal Lee Lipsenthal put for­ward in his book “Enjoy Every Sandwich.” It is per­haps no acci­dent, as Marx would say, that they’re both folks who spent a lot of time in Marin County…but ser­i­ously, yes, it was sweet and kind and decent and CONSTRUCTIVE, and I do some­times wish the default dir­ec­tion of my own mus­ings on these issues was more in line with theirs.

  • Having read my share of Lex com­ments, I’d say that’s a long way from ‘full sui­cid­al depres­sion.’ And a thought-provoking read, so thanks.
    I have nev­er yet been paid to ‘do what I love,’ but I do get to do a little of it for free, and hope to do more, and can man­age to do that by vir­tue of being paid to do what I like. So, all in all, I call myself rather blessed at this moment in time. (The mat­ter is admit­tedly com­plic­ated by the fact that I often find ‘doing what I love’ to be a ter­ri­fy­ing and exhaust­ing pro­spect. But that’s a mat­ter for me and my therapist.)

  • david hare says:

    Glenn, again thanks for some space about this and much else.
    And you aint even 50 or 60!
    The only con­stant when you get older is how shock­ingly “BARREN” the mind­space is out­side there, apart from the glit­ter of Godardian wall­pa­per. Or is it the fuckin remembered glit­ter from all those NY screen­ings.. I dunno.…
    It’s a real joy being old. Some of it is for sure. Physical. Or is it – on the oth­er hand there’s a whole lot of phys­ic­al avoid­ance shit: fix yourself/ ill­ness shit that greets you just as you think you’re OK. Rich or Poor. It’s like Eastwood and his great great movies. So you enter (or not) the hideous SYSTEM. I recom­mend NOT. You’ll be OK , trust me. When you get there, with beloved at your hand…(like me.)
    Then the SUICIDAL DEPRESSION floats by your way (This is some­thing I used to suf­fer like a fuckin booze/meth addic­tion in my 30S.)
    Then I real­ize I’m 62, half my friends are dead and the oth­er half died dur­ing the fuckin AIDS thing. I dont get depressed or even angry any­more partly because it’s not pos­sible to have anoth­er emo­tion, or at least because because life’s a fact. And so am I. So I dont remem­ber being depressed any­more. Like fuckin smoking. Which I think Ive for­got­ten about for 20 years until tonight.
    So I miss that. Maybe. But I can still get drunk (and should­nt but wont do the 12 fuckin step) and remem­ber that. Maybe. But, ya know, even that takes longer to remem­ber now, and by then Im even flat.
    So…
    I wish I was in the head room now to do a rave about how much I love Clint Eastwood and how won­der­ful and simple and dir­ect and form­ally superb and Melodramatcilly music­al I think he is. And why I think Changeling is the best American movie in twenty five years. And then I remem­ber how I know six, maybe ten people who think as crazily as I do and as vis­cer­ally as I do about movies. (We act scnes out for each oth­er phsy­cially like we’re chil­dren of fuck­ing actos in Godard). And then I guess Im hap­pi­er. So Clint, well he’s all just shy a gen­er­a­tion older than me.
    Now that sure feels better.

  • haice says:

    Nice rap Glenn. Your inner Gail Sheehey struck some chords. That whole Joe Campbell fol­low your bliss is a sticky wick­et. For every half writ­ten screen­play in a draw­er to a half built boat in gar­age there’s a geek’s com­ic book col­lec­tion that fetches mil­lions of dol­lars after he dies (ima­gine real life copy­ing an old Spielberg Amazing Stories plot!)As far as nos­tal­gia acts per­form­ing at mod­est ven­ues I remem­ber see­ing Tiny Tim towards the end of his life deliv­er an awe­some show. So The Monkees did make great records. So Marcia Brady hav­ing a crush on Davey Jones was zeit­geist major. Around that same time a prom­ising dir­ect­or like Michael Reeves offs him­self on bar­bit­ur­ates at 26 that spares him­self a too soon death at 66.

  • Not David Bordwell says:

    I don’t know what this means about me or the com­munity of Glenn Kenny fol­low­ers, but I just caught up with Witchfinder General this week­end. I was duly impressed.
    Afterward, I could­n’t help think­ing… If the film had starred Terence Stamp and Julie Christie oppos­ite Vincent Price and, for the sake of this thought exper­i­ment, Jon Finch (instead of Ian Ogilvy, Hilary Heath, and Robert Russell, respect­ively), would the crit­ic­al reac­tion in England have been more akin to the recep­tion of some­thing like Bonnie and Clyde in the States?

  • The black moment is the moment when the real mes­sage of trans­form­a­tion is going to come. At the darkest moment comes the light.
    –Joseph Campbell
    Eighth grade Spanish teach­er and frus­trated opera sing­er Bill “Billy” Brown attemp­ted to dis­sem­in­ate his vit­ri­ol and quash all voca­tion­al illu­sions we may have har­bored that first day of class: “The secret in life is not to do what you like…but to like what you do.” A philo­sophy so out­rageous as to yank my canthus-straining eyes off the amp­litude of Bobbi S’s purple sweat­er (an Italian lin­eage savior and a true saint of an angel, dear Bobbi).
    Outwardingy I objec­ted to the sac­ri­lege of such a state­ment but inwardly shivered at the pro­spect. I thought not doing what you loved–nevermind liked–would lead to cer­tain insan­ity. But such a lim­it­ing out­look com­ing from a teach­er whose only Spanish les­son I recall con­sisted of ser­en­ad­ing us with songs con­tain­ing “mi corazon” and “mi esposa” (in a not half-bad bari­tone) and one who took vin­dict­ive miso­gyn­ist­ic pleas­ure per­form­ing behind-the-back mock­ings of said St. Angel’s long lus­trous flut­ter­ing black lashes, I vowed right then nev­er would I suc­cumb to his hope­less aban­don­ment (las­chi­ate ogni sper­anza, voi ch’en­trate), and no mat­ter what I would fol­low­ing my corazon.
    Alas tonight, nearly two score and three years later I now find myself pre­par­ing (not) for a truely lur­id, mind-numbing job I start tomor­row (today), indeed not even both­er­ing to sleep in anti­cip­a­tion of the assured work-psychosis that awaits, and here at the elev­enth hour with Jungian ‘mean­ing­ful coin­cid­ence’ I stumble for the first time upon your site and this post­ing with its Hauntingly Prophetic Title.
    A sym­path­et­ic friend assures me “nobody likes their job.” Still, I rail at the injustice that all these dec­ades and all these non-jobs later it turns out that Disgruntled Billy-Boy, the cor­pu­lent per­spic­a­cious slob, was right?! And now, finally, this here trick­less old dog has to learn the god­damn les­son he (Señor Brown) tried to oper­at­ic­ally impart so long ago in that ‘celotex interi­or with flour­se­cent tubes!?’
    Bobbi! Bobbi! Mi corazon!
    (silence…)
    I lay on the gurney, tight­en the belts and rehearse my Rock Hudson imper­son­a­tion (his finest on screen moment) in the final scene of John Frankenheimer’s “Seconds,” wildly thrash­ing with ball gag in mouth. And not in any semblence lik­ing what I’m doing.
    Damn you Billy Brown. Damn you.
    Posted by: Robert Andropolis |

  • Zach says:

    I think we can all relate to hav­ing one of those “Billy Brown” days.
    http://www.youtube.com/watch?v=G0E6TUklW7g&feature=fvwp

  • Joel Bocko says:

    Well, I’m nowhere near 50 (yet) and I found this extremely relat­able, but then maybe I’m just pre­ma­turely pess­im­ist­ic. And I’m sure I’m not the only one to muse that how­ever frus­trat­ing, it is some­how fit­ting that this art­icle on the inad­equacy and per­haps per­ni­cious­ness of feel-good cul­tur­al cliches ended up being declined by the (cul­tur­al pub­lic­a­tion?) edit­or who was going to run it! Thank God for blogs…
    And Robert’s follow-up is great. I don’t start a job today (I wish) but I will be seek­ing & inter­view­ing quite a bit in the next few days (and in most cases, not of the look-Ma-I-landed-a-well-paying-9-to-5-job-that-I’m-existentially-frustrated-with-but-gee-it-is-convenient-to-have-the-bills-paid-while-I-fret-about-“selling out” type employ­ment that movies about twentyso­methings would have you believe are just out there for the tak­ing, not to men­tion sniffily reject­ing – per­son­ally, I sus­pect that pas­sion­ate pur­suits are usu­ally extra­cur­ricular activ­it­ies, cer­tainly ini­tially and prob­ably per­man­ently, and that a secure job makes said pur­suits easi­er, not more dif­fi­cult). At any rate, hav­ing recently arrived in a strange city all by my lone­some, the time&money clock is tick­ing. Y’know, fol­low­ing your dreams and all that…(gulp)
    Anyway, RIP Davy. Breitbart went out on top though, right? Not every­body’s idea of what the top looks like, but hey to each their own…

  • jiminholland says:

    Glenn posts an art­icle with the term ‘full sui­cid­al depres­sion’ to his blog.
    Glenn’s blog then goes silent for longer than it has in quite a while.
    Glenn – howza­bout a quick pop-in here, just to say hello?

  • jiminholland says:

    Whoops.