AuteursGreat ArtIconsImagesSome Came Running by Glenn Kenny
Image of the day, 5/20/12
Tools of the Trade
F&S Recommends
- Campaign for Censorship Reform
- Glenn Kenny at Some Came Running
- New Zealand International Film Festival
- NZ On Screen
- RNZ Widescreen
- Robyn Gallagher
- Rocketman
- Sportsfreak NZ
- Telluride Film Festival at Telluride.net
- The Bobby Moore Fund
- The Hone Tuwhare Charitable Trust
- The Immortals by Martin Amis
- Wellington Film Society
- Wellingtonista
About F&S
You May Also Like
DVDHousekeepingSome Came Running by Glenn Kenny
Four adventures of Anne-Marie and Jean-Luc
Four adventures of Anne-Marie and Jean-Luc
People who think that ECM is only good for New-Agey, "soft" sounds and such clearly…
Glenn KennyDecember 14, 2010
AwardsAwesomenessSome Came Running by Glenn Kenny
Hell yeah
Hell yeah
I don't know what the heck everybody's so upset about. I happen to think that…
Glenn KennyNovember 29, 2010
FestivalsMoviesSome Came Running by Glenn Kenny
Cannes Award Winners: A User's Guide
Cannes Award Winners: A User's Guide
Break it down: PALME D'OR: Entre Les Murs (The Class), directed by Laurent Cantet As…
Glenn KennyMay 26, 2008
She’s so lovely in that. Made the same year as “Vertigo” Richard Quine and John Van Druten give Kim Novak and Jimmy Stewart the happy ending that Hitchcock wasn’t interested in.
Bell, Book and Candle is one of my favorite movies of that era about what it’s like to be gay and closeted, whatever its “manifest” content is about. Witchcraft, right?
It’s subtext is gay life before “Stonewall.” Van Druten (who adapted Isherwood’s “Berlin Stories” to the stage as “A Am A Camera”) was gay and the “Zodiac Club” is obviously a chic Village gay dive. Jack Lemmon’s bongo-playing Warlock using his abilities to turn out streetlamps “for his love life” is clearly “coded-gay.” And that’s not to mention that French singer-dancer’s performance at the club.
Now, why do I think that’s a Cindy Sherman photo?
one of my favorites
@David Ehrenstein: That’s what I thought, but did not want to presume without the cultural bona-fides. Thanks for the corroboration, and the line on John Van Druten – I did not know about him or his connection to Christopher Isherwood, a shame since I’m fairly obsessed with CABARET and Weimar Berlin in general.
“Cabaret” credits Van Druten’s “I Am A Camera” as its primary source, rather than Isherwood’s “Berlin Stories.” The book of the Broadway show is quite different than the screenplay for Bob Fosse’s film. But the film is tons gayer than the Broadway show.