Asides

"Thunderbirds" vs. Antonioni, slight return (in memory of Gerry Anderson)

By December 27, 2012No Comments

A few years back, when I was just start­ing to blog under the Première rub­ric, I ran a post that quizzed the read­er: “Thunderbirds of Antonioni?” On hear­ing of the passing of Thunderbirds co-creator Gerry Anderson yes­ter­day, I thought it might be apt to link back to that old post, but I dis­covered that the serv­er on which that Première blog, “In The Company Of Glenn,” had been liv­ing all the years since May of 2008 when I left Hachette, was no longer…there. 

Oh well. So I thought to recon­struct that frivol­ous but not entirely inapt visu­al ana­logy as a trib­ute to the fallen sci-fi cre­at­or might not be an entirely ter­rible idea. No quiz com­pon­ent but feel free to put your guesses or sur­mises or cer­tain iden­ti­fic­a­tions in the com­ments. Some are pretty obvi­ous but hope­fully not without amuse­ment value. Rest in peace, Mr. A. And Mr. A. 

1)

Quiz 1

 2)

Quiz 8

3)

Quiz 3

 4)

Quiz 7

 5)

QUiz 6

6)

QUiz 2

 7)

Quiz 4

 8)

Quiz 5

No Comments

  • andy says:

    Awesome. They are in fact, all obvi­ous (well, 7 takes a half second, and I guess if you thought Thunderbirds was done w/ dept store man­nequins the oth­er might be a chal­lenge), but it’s still great.

  • rcjohnso says:

    *golf clap*

  • James Keepnews says:

    It’s amaz­ing how Supermarionation makes #8 look just like a mem­ber of the Yardbirds.
    (In fact, am I mis­in­formed that the surely-future Knight Commander of the Order of the British Empire Sir Jeff was always a mite peeved about his film debut, which made it appear as though he was a frus­trated guitar-smasher à la Pete, as opposed to one of the great amp­li­fied six-string vir­tu­osi he was and is?)

  • haice says:

    Brilliant. It even works with Troy/Marina from STINGRAY and Vitti/Delon in L’ECLISSE!

  • LondonLee says:

    Anderson’s live action TV series ‘UFO’ was pretty Mod-stylish too with its gull-wing lam­borghinis and fab-gear uni­forms. The secret SHADO organ­iz­a­tion was even hid­den under a movie studio.

  • Grant L says:

    UFO was Anderson…wow, one of those many things I should’ve known but did­n’t. That one used to show on Saturday late night when I was 8 or 9 and had the feel of a show where one was con­stantly com­ing in the middle – did­n’t make much sense but there were tons of flashy visu­als and creepy atmo­sphere, which was enough. Boris Karloff’s Thriller and The Outer Limits came on after that.

  • James Keepnews says:

    LOVED UFO! It’s the under­val­ued segue-way between THUNDERBIRDS and Sir Gerry’s chef d’oeuvre, SPACE: 1999 (its first sea­son, at least – can­’t hang with that Maya/cornrowed-eyebrow/shape-shifting shite). Its 70’s glam fash­ions so utterly mis­ap­plied to “1980”, all sil­vers and browns, plus a brood­ing dis­pos­i­tion towards space/time, exist­en­tial­ism and The Other make it pretty absorb­ing view­ing to this day. That spooky clos­ing cred­it sequence always gets me – I still con­sider it Anderson’s finest hour (or 30 seconds).
    “Where does the uni­verse end? Where does it begin?”

  • Ed Hulse says:

    I’ll always be indebted to Gerry Anderson for mak­ing TEAM AMERICA possible.

  • Grant L says:

    It was prob­ably just my ima­gin­a­tion, but the last time I checked out a couple of Thunderbirds epis­odes (maybe three years ago) I got the occa­sion­al feel­ing that there was an under­cur­rent of con­tempt for Brains by some of the oth­er char­ac­ters. Anybody else get that? Like I said, prob­ably not, but thought I’d check.

  • LondonLee says:

    I think ‘UFO’ was Anderson’s bid for grown-up respect­ab­il­ity, a lot of which went right over my head when I was a kid. What stuck with me was Gabrielle Drake (Nick’s sis­ter) sash­ay­ing around the moon­base in a purple wig and sil­ver miniskirt.

  • Love this homage and insight – thank you. Gerry was an utter genius.

  • F Ron says:

    Which film has the longer explo­sion mont­age at the end, “Doppelgänger” (Journey To The Far Side Of The Sun), 1969 or “Zabriskie Point”, 1970?