Adèle Exarchopoulos rails against social injustice in Telluride.
Incidentally, here is my first movie review for RogerEbert.com, on Blue Is The Warmest Color.
Adèle Exarchopoulos rails against social injustice in Telluride.
Incidentally, here is my first movie review for RogerEbert.com, on Blue Is The Warmest Color.
Congrats on a new paying gig.
Indeed! Gonna be a pretty regular thing?
Yes, congrats.
Congratulations Glenn.
One note: I think what will constitute a viewer’s belief of whether or not Kechiche “got a little carried away” will depend on her gender/sexual positioning, as well as her relationship (known and unconscious) to her own desires. As a queer male, I found nothing too much about the scenes of queer female sex – they did not arouse me, but it was nice to have it depicted. I do not think there needs to be (or can be) a time limit on representations of queer sex or a rule that that the mise en scene must be poor.
Having two films in one year – this one plus STRANGER BY THE LAKE – where queer sex is not pathologized, but rather presented in its complexity, is rather refreshing for 2013.
If you hadn’t landed a gig this soon, I was going to suggest meeting up at the O.J. Bar and Grill…
Also, if RobertEbert.com isn’t paying enough, just get in on the lucrative new Meet & Greet for pay option:
http://www.newyorker.com/online/blogs/currency/2013/11/the-celebrity-as-product.html