ImagesIn Memoriam

FInal blast from the past

By March 28, 2015No Comments

I was recently recol­lect­ing the bad old days when I thought I was some kind of Internet Film Criticism police­man, and I got into it with not Some Dude™ but a guy I’ve come to have a reas­on­able rela­tion­ship with, and one of the points he tried to make was that I had some nerve giv­ing anoth­er writer TMI grief when I myself pos­ted vaca­tion pic­tures on my blog. Well. It was/is MY blog, and they were, you know, vaca­tion pic­tures. And now, as I begin out­lining a hope­fully brief piece con­cern­ing the crit­ic­al repu­ta­tion of Woody Allen, I relax by shar­ing with you a last few treas­ures from my late mom’s seem­ingly bot­tom­less photo stash. 

I some­times tell close friends that as a baby, I was so fat that my par­ents could pretty much leave me alone any­where and be assured that, unless I was kid­napped, I’d be at the spot at which they left me when they returned, because I lit­er­ally could not move. (And as for kid­nap­ping, no one save a can­ni­bal wants to snatch a fat baby.) Anyway, I did­n’t have any actu­al recol­lec­tion of this state, but now I have pho­to­graph­ic proof. 

Baby Glenn #2

G&K Halloween

My sis­ter and I had an often frac­tious rela­tion­ship in our child­hood and teens, so this mid-60s snap­shot inspired lots of oohs and aaahs from older rel­at­ives, “Look how nice they can be togeth­er,” that sort of thing. I’d like to say that whatever cine­mat­ic allu­sion attaches to my cos­tume—Rules of the Game, for sure!— was entirely delib­er­ate, but of course it was not. 

The brood

I include this shot not to mark the begin­ning of my young­er brother­’s brief but power­ful Jodie Foster phase, but to again provide a form of pho­to­graph­ic proof: Yes, those long shirt col­lars in Goodfellas were a thing. 

Teen Glenn

Eighth Grade Yearbook photo, 1972. Glenn Kenny, The Awkward Years, Part II, a saga which I believe is still ongoing. 

Amelia reading

Two things about this photo: One, how is it that nobody in New Jersey with a cheap cam­era between the years 1962 and 1985 knew how to prop­erly com­pose a shot? Even the most headroom-batty among us would have to cop to the over­abund­ance of neg­at­ive, no make that use­less, space in this photo, which I have declined to crop out of respect for verisimil­it­ude. Actually, the cul­prit might be yours truly: that Ken Follett book is from 1982, the asphalt beneath the beach chair is a drive­way; this places the shot at Katz Avenue in West Paterson, where my mom and I (and some­times my broth­er) lived for a few years until I finally up and moved to the Big City full-time in ’86. 

Two, I don’t want to slog Ken Follett, but it’s doubt­ful that whatever my mom was think­ing when I, or who­ever took the shot, took the shot, was spurred by that thrill­er. I don’t know if it’s me or if today’s atmo­sphere of cul­tur­al dis­course is so inflamed or what but I feel weirdly com­pelled to defend my mom’s read­ing habits here. Hell, I kind of liked Forsyth’s Day of the Jackal myself. Yep, my mom liked pot­boil­er thrillers but she also loved Rex Stout, who really is the V.S.O.P. of what he did, and it’s due to her influ­ence that I got into him—and to Conan Doyle as well. When she saw me read­ing a bio­graphy of Oscar Levant, she asked to bor­row it when I was done, and she enjoyed that.  And my mom adored Simenon—when she died, she was halfway through a new trans­la­tion of The Late Monsieur Gallet that I brought her at the hos­pit­al. She liked the Silvina Ocampa poem I read her in the days before her oper­a­tion, too…but she liked the Eliot cat poems I read to her from Kingsley Amis’ col­lec­tion of light verse a little bet­ter. Thank you T.S. Eliot and Kingsley Amis. Love you mom. Miss you every day. 

No Comments

  • D Cairns says:

    Badly-composed shots may well be to do with cheap cam­er­as where you don’t actu­ally get to look through the lens, but through a little per­spex hole up and to one side of it. Thus any shot is likely to have gulfs of yawn­ing blank­ness at the top and left unless your con­scious of it and have a preter­nat­ur­al abil­ity to com­pensate for it. Absolve yourself!

  • Estanislao Plasini says:

    Hi Glenn,
    as one who went through a sim­il­ar thing a few years ago, my heart­felt con­dol­ences to you.
    Do you mind if I ask you what you read by Silvina Ocampo and how on earth you came across it? I’ve read some of her work too, but in a very non-US con­text. By the way, do you know by chance if the Argentine filmic adapt­a­tion of her novella “Cornelia frente al espejo” (Cornelia at Her Mirror?) has been cir­cu­lated at all in the States? If it shows any­where it would prob­ably be NYC. It’s a pretty invent­ive adapt­a­tion of a text that’s pure dis­or­i­ent­ing dialog.

  • Oliver_C says:

    Might I sug­gest you crop that final photo to 1:1 – just beneath the top of the fence – as Xavier Dolan does dur­ing (appro­pri­ately enough!) ‘Mommy’? I do the same for some of my shots, even before I found out about Instagram.

  • Henry Holland says:

    Glenn, apo­lo­gies if this is rude to ask, but does your broth­er have a dif­fer­ent fath­er or does he take after your dad looks-wise? You and your sis­ter look like you’re cut from the same cloth, as it were, he does­n’t. Again, sorry if I offend you by asking.

  • Glenn Kenny says:

    To Estanslao: I came upon Ocampo via two new col­lec­tions of her work issued by New York Review Books, one a selec­tion of short stor­ies, one a col­lec­tion of poems. “Cornelia At Her Mirror” is in the NYRB prose col­lec­tion, I haven’t got­ten around to read­ing it yet. I’ll look for the film ver­sion too. I see it’s avail­able on line.
    Oliver C.: As I men­tioned in the text, I kept the pic­ture in its ori­gin­al crop for the sake of verisimilitude.
    H.H.: Takes after my fath­er. Or, rather, my father­’s fam­ily. He looks more like some of my cous­ins on my dad’s side than my dad. Genes are odd.

  • Henry Holland says:

    Thanks for the response. Yes, genet­ics are odd, in my fam­ily one of my sis­ters and I look just like my dad while my two broth­ers and the oth­er sis­ter look just like my mom.

  • Petey says:

    I’m sorry this is the “final” blast from the past. They’re fun to read. You should con­sider doing an entire auto­bi­o­graphy by blog posts. Think of all the expos­ure you could earn!
    And I actu­ally quite enjoy the fram­ing of that photo. Intended or not, it works quite well. Also, if you were unhappy with it at the time, why did­n’t you just crop it in the base­ment dark­room set up right next to the drum set?

  • Elizabeth says:

    You’re ador­able!