Hotel Coolgardie (Gleeson, 2017) is streaming on DocPlay

As part of my research for another project, last night we watched this desperately tense fly-on-the-wall documentary from Australia.
Hotel Coolgardie follows two young Finnish backpackers as they head to a small Western Australian town to work the bar at the local pub. Lina and Stefanie are more desperate for work than most as they have arrived in Australia after their credit cards have been stolen in Bali.
However, they are optimistic that a three-month gig miles from (almost) anywhere will allow them to rebuild their finances, buy a cheap car and hit the road to enjoy all that Australia has to offer.
It does not go according to plan.
Inexperienced at Australian-style bar work and unable to join in the off-colour banter that their Welsh predecessors kept up with, Lina and Stefanie soon find that their situation becomes uncomfortable to say the least.
While the locals might think that their behaviour towards the girls is innocent teasing it comes across – and frankly is – hostile and threatening.
Hotel Coolgardie is a searing portrait of an ugly aspect of Australia but I was interested in the wider social and economic questions that it raised.
We keep hearing about how much money the Western Australian mineral boom has made – there is a huge open cast gold mine just a few minutes drive from the pub – but little of that money seems to be sticking to the ribs of the locals.
They get to watch as heavily-laden big rigs sail through the town day and night on the road between Kalgoorlie and Perth, rarely stopping or leaving any money behind. Or if they do, none of it seems to be spent on amenities for the town.
So, drinking becomes the be-all and end-all for many of the residents and – let’s be honest – it does not bring out the best in them.
Hotel Coolgardie plays like it could be the opening act of an Outback horror film and, interestingly, it has become the inspiration for one.
Kitty Green (director of the workplace #MeToo drama The Assistant and the documentaries Ukraine is Not a Brothel and Casting JonBenet) has used the film as inspiration for The Royal Hotel1 which opens in the U.S. this week and plays the London Film Festival this weekend.
In it, the two Finnish backpackers become American (Julia Garner and Jessica Henwick) and the fears that remain mostly unspoken in Hotel Coolgardie become all too real.
Not to be confused (I hope) with the Royal Hotel in Featherston, New Zealand.
