Greyhound (Schneider, 2020)

When AppleTV+ launched in 2020, it looked as if they were taking a measured and curated approach to their content and so it has proved. Quality over quantity.
Greyhound, written by and starring Tom Hanks, wasn’t a true Apple original. They picked it up when the Covid pandemic closed movie theatres and Sony decided that they had to cut their losses. It certainly deserved a big screen release but I’m also glad that it got rescued by a streamer with some taste.
Hanks plays Ernie Krause, a career commander in the U.S. Navy but on his first active duty mission – escorting merchant ships across the Atlantic. It’s as close to a suicide mission as you can think of and over the course of the film the odds that they will make it to Liverpool get longer and longer.
I reviewed this for RNZ when it came out in July 2020:
Hanks’ script is based on the 1955 novel The Good Shepherd by C.S. Forester who knew a thing or two about how to about write naval warfare and you can see why Hanks was attracted to it. More than just a war film, Greyhound is character study of a man who, despite being a career naval officer had limited experience in the field, who spends a lot of the film wondering whether he had, in fact, arrived at a point beyond the limits of his experience and talent, sustained by his faith when he might have been better off being sustained by the freshly cooked food he keeps forgetting to eat.
The fact that the source material comes from the mid-20th Century is illuminating as this is a character you can imagine being played by a Humphrey Bogart or an older Gary Cooper. It’s a good counterpoint to the unconflicted superheroes we see representing masculinity so often on screen. Hanks knows what he can pull off these days and he’s tailored this perfectly to himself. There are a couple of lovely moments where the German U‑Boat commander discovers their radio channel and starts shit-talking to Hanks’ great annoyance.
Where to find Greyhound
Worldwide: Streaming on AppleTV+
So far, it looks as if Apple’s original content (which means everything on AppleTV+) is staying in their library rather than disappearing off into the void which is what’s happening with some other streamers. This is good news.
Further reading
I just posted the latest entry in my rundown of the Sight & Sound Top 50 greatest films of all time: Charles Burnett’s Killer of Sheep at equal-43 with Stalker.
And, for those non-paying subscribers who missed out on the bottom third of yesterday’s newsletter, I reviewed the new ViaVision/Imprint/Madman box set of three Jennifer Connelly movies.
Gratitude
Every time I see a notification that someone has upgraded to a paid subscription my heart sings a little and I’m motivated to keep going.
Don’t forget that encouraging others to subscribe is a great way to pay for your own subscription and that the top recommender at the end of November will receive a copy of the 35th anniversary Blu-ray of My Neighbor Totoro as a gesture of thanks.