Kubo and the Two Strings (Knight, 2016)

After an exhaustive – and failed – search for something that I once recommended at this time of year, and that is also available on a streaming service of some description, I ended up searching the increasingly reliable TVNZ+ for new additions and was reminded of this little ripper.
Stop-motion wizards Laika are owned by the family that founded Nike – studio boss and Kubo and the Two Strings director Travis Knight is the son of Phil Knight who is now most famous for being played by Ben Affleck in Air – and their track record for weird and wonderful family animation is second-to-none for an independent studio. Coraline, ParaNorman and The Boxtrolls are all easy to recommend even if Missing Link from 2019 was a disappointment.
I reviewed Kubo for RNZ back in 2016:
… 17th Century Japan. Kubo himself is a young storyteller, busking on the streets of a small coastal village using his magical origami skills to keep the villagers enthralled despite his inability to ever finish the story.
He lives in a cave with his traumatised mother – traumatised by their escape from the clutches of her father, the Moon King, and her sisters; an escape that cost Kubo an eye. The Moon King (voiced eventually by Ralph Fiennes) has never given up on his search and so Kubo must never be out of the cave after dark. Sure enough, because he’s a strong-willed little boy, he stays out after dark and the mysterious masked Sisters (Rooney Mara) are soon hot on his trail.
With the last of her magic, his mother transports him to safety along with a talking monkey and a mute origami samurai as a kind of direction finder. They must locate three powerful artefacts or they are surely doomed.
Despite the beauty of the execution and the power of the story, the number of words it takes to even describe the premise of Kubo is an obstacle at a box office that rewards easy-to-grasp concepts like ‘what if your pets had adventures while you were at work’ or ‘what if the contents of your fridge had adventures while you were at work’.
But make no mistake, Kubo is an extremely fine film that takes its characters and its themes seriously while carrying humour and adventure along for the ride. After their high-tech approach to stop-motion animation, Laika’s trademark is vocal performance and all the leads – although the production has been criticised for not casting enough Japanese actors – are superb. It is their work that the animators are inspired by – and play off – over the years of painstaking production.
Where to find Kubo and the two Strings
Aotearoa: Streaming on TVNZ+
Australia: Streaming on Binge
USA: Streaming on Roku (with ads)
UK: Streaming on ITVx