Asides

Something to watch tonight: Thursday 14 November

By November 14, 2024No Comments

Watership Down (Rosen, 1978)

Still from Martin Rosen's 1978 animated adaptation of Watership Down

I took the day off yes­ter­day as I was in the stu­dio record­ing and edit­ing last night’s edi­tion of At the Movies for RNZ. Apologies for any incon­veni­ence, etc. You can listen to it here.

Watership Down is one of the sem­in­al texts of my child­hood – both Richard Adams’ book and Martin Rosen’s film version.

The book was pub­lished in 1972 (when I was about four) and was an instant hit. My moth­er read it to me over and over again, des­pite how emo­tion­al it made me every time. I think I must have read it three or four times myself when I was able, espe­cially after the film came out.

It’s the story of a group of anthro­po­morph­ised English rab­bits with a com­plex myth­o­lo­gic­al belief sys­tem and social and polit­ic­al struc­tures, yet des­pite that they are still clearly rab­bits. It isn’t quite Animal Farm levels of allegory but it’s close.

Fiver is highly sens­it­ised to the envir­on­ment – pos­sibly on a paranor­mal level – and he has a ter­ri­fy­ing vis­ion of human devel­op­ment des­troy­ing the rab­bits’ war­ren (their vil­lage). With his older broth­er Hazel, Fiver attempts to warn the lead­er­ship of the danger but he is not taken ser­i­ously. The pair per­suade a group of rab­bits that they should leave before it is too late and that there is a hill­side far away – Watership Down – where they can start their lives again.

During the exodus the group exper­i­ences many adven­tures, and they learn a lot about the dangers of the world before they can con­sider them­selves safe. And, fair warn­ing, not every­one makes it.

Producer (and even­tu­al dir­ect­or) Michael Rosen was a lit­er­ary agent who had dabbled in film but had nev­er worked with anim­a­tion before. After a fall­ing out with the ori­gin­al dir­ect­or (the exper­i­enced American John Hubley), Rosen took over dir­ect­ing an equally green group of loc­al anim­at­ors. Unlike the huge Disney or Hanna-Barbera factor­ies in California, there wasn’t a huge amount of anim­a­tion done in the UK – mostly cheap tele­vi­sion com­mer­cials or children’s television.

The look of the film is beau­ti­ful, how­ever, with many of the loc­a­tions drawn from the real places Adams had described in his book. But it is the cast­ing that really elev­ates Watership Down. It fea­tures the voices of many of the finest act­ors of the era – Richard Briers was Fiver and John Hurt played Hazel. Watching it again last week­end, I real­ised that I could recog­nise many of the cast from their voices: Joss Ackland and Michael Hordern are always easy to pick, but also Denholm Elliott, Derek Griffiths and Rory Kinnear’s fath­er Roy Kinnear (what a loss it was when he passed away so young).

There’s a more recent four-part adapt­a­tion of Watership Down – using CGI and with a sim­il­ar aes­thet­ic to the Peter Rabbit films – that you can watch on Netflix and that might be more pal­at­able for mod­ern kids than the beau­ti­ful hand-drawing of the 1978 film.

But that ver­sion doesn’t have the Art Garfunkel song, “Bright Eyes”, which was the first record I ever bought with my own pock­et money. I think I still have that copy here some­where. Yup, just checked and I sure do.


Funerals & Snakes is a reader-supported pub­lic­a­tion. To receive new posts and sup­port my work, con­sider becom­ing a free or paid subscriber.


Where to watch Watership Down

The con­tent below was ori­gin­ally paywalled.

Aotearoa : Streaming on Brollie (free with pre-roll ads)

Australia: Streaming on Prime Video and Brollie (free with pre-roll ads)

Canada: Streaming on Criterion Channel

Ireland, India, UK: Not cur­rently available

USA: Streaming on Max or Criterion Channel