Us (Peele, 2019)

Back in July 2019 – just as Jordan Peele’s Us was being released to home entertainment – I wrote this compilation of critical responses to the film which I called “Overthinking Us”.
Peele’s horror story about a middle-class Black American family haunted by mysterious doppelgängers, was ripe for allegorical interrogation and I wasn’t the only one who was interested.
In the article, I survey online reviews and essays from Esquire, Wired, io9, New York Times, Film School Rejects, Popmatters, Grapevine and even my colleague at RNZ, Simon Morris, to show how rewarding it can be to go deep on a subject.
It frustrates me how in this business we have to prioritise discussing entertainment value – because the production line is relentless and a consumer report is what most outlets want – but rarely get stuck into what a work of art means. Us is a serviceable slasher/horror on the surface but literally underneath is where it gets so interesting and so rich.
Maybe I should have pursued a career in academia so I could spend my days up to my eyeballs in this sort of arcana, but I like being read and listened to and – hopefully – my reviews occasionally offer that extra dimension that makes you go, “that’s interesting, I never would have thought of that”. There are a lot of observations in the article that did that for me.
Here’s my final quote from “Overthinking Us”:
And finally, at Esquire once again, only Matt Miller (in an article about the importance of Jeremiah 11:11) makes the direct connection between the two letter title and the country the story is taking place in. I thought that was absolutely critical, to be honest.
“It’s also worth noting, if you didn’t notice, that Us could also quite literally be U.S.”
Where to watch Us
Aotearoa: Streaming on Netflix
Australia: Streaming on Netflix, Binge, Paramount+, Stan or FoxtelNow
Canada: Streaming on Netflix, prime Video or Paramount+
Ireland & UK: Streaming on Netflix
India: Streaming on Hotstar
USA: Digital rental
Further listening
Last Friday’s chat with Emile Donovan on RNZ Nights is worth a listen. We talked about Soderbergh’s crowd pleasing Black Bag, Asura on Netflix (reviewed here on Friday) and my free selection was the slow official release of the Henson Company’s classic family sci-fi show Farscape on YouTube.