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Review: Senna, Hanna, Footrot Flats - The Dog’s Tale, Final Destination 5 and The Double Hour

By Cinema, Reviews

Despite my pos­it­ive review for TT3D last week, I’m not a huge motor­s­port fan. In 1996 I worked on the last Nissan Mobil 500 race around the water­front and couldn’t see the appeal of watch­ing cars go belt­ing around the same corner over and over again. In that race you couldn’t even tell who was win­ning, it was all such a blur. In fact, the only time I’ve ever watched Formula 1 was when I chan­nel surfed on to some late night cov­er­age one Sunday night in 1994 just before going to bed. Two corners (about 30 seconds) later, Ayrton Senna was dead. It was pretty freaky, let me tell you.

So, I knew (as all audi­ences must) that Asif Kapadia’s bril­liant doc­u­ment­ary Senna was going to end in tragedy. What I didn’t know was how riv­et­ing it was going to be from begin­ning to end. Senna works because it is first and fore­most a por­trait of a com­pel­ling char­ac­ter – a cha­ris­mat­ic, con­fid­ent but humble young man who under­stood the risks he took and fought to bal­ance those risks with his innate desire to race and race hard – but when the polit­ics of Formula 1 took the con­trol of those risks out of his hands there you could see there was only going to be one result.

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Review- Harry Potter and the Deathly Hallows: Part 2 and The Big Picture

By Cinema, Reviews

Harry Potter and the Deathly Hallows: Part 2 posterIt’s clear that there are two kinds of people in the world. There are the people who get Harry Potter (not just get but devour, savour, rel­ish) and then there’s, you know, me.

Over the last six years I have dog­gedly tried to review the HP fran­chise as if it was cinema, as if there might be view­ers temp­ted along who hadn’t been exposed to the books and who might reas­on­ably be expect­ing to watch a film that stands on its own two feet.

Well, to coin a phrase, “it all ends” now. I give up. With Harry Potter, you can’t divorce your response from your expect­a­tions. If you loved the books it would appear that you love the films and the less atten­tion the film­makers pay to unbe­liev­ers like me the bet­ter you like it.

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