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joe cornish

2012 Wellington Cinema Year in Review

By Cinema

This Must Be the Place posterAs usu­al, the vagar­ies of hol­i­day dead­lines mean that, just as you are arriv­ing back at work to glee­fully greet the New Year, here I am to tell you all about 2012. The best way to use this page is to clip it out, fold it up and put it in your pock­et ready for your next vis­it to the video shop – that way you won’t go wrong with your rent­ing. Trust me – I’m a professional.

But this year I have a prob­lem. Usually I man­age to restrict my annu­al picks to films that were com­mer­cially released to cinemas. I’ve always felt that it wasn’t fair to men­tion films that only screened in fest­ivals – it’s frus­trat­ing to be told about films that aren’t easy to see and it makes it dif­fi­cult for you to join in and share the love. This year, though, if I take out the festival-only films the great­ness is hard to spot among the only “good”.

As usu­al, I have eschewed a top ten in favour of my pat­en­ted cat­egor­ies: Keepers, Watch Again, Mentioned in Dispatches and Shun At All Costs. In 2012, only two of my nine Keepers (films I wish to have close to me forever) made it into com­mer­cial cinemas and one of them isn’t even really a film.

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Review: Attack the Block, The Women on the 6th Floor, The Lorax, Mirror Mirror and Wrath of the Titans

By Cinema and Reviews

Attack the Block posterIt has taken ten months for Joe Cornish’s bril­liant Attack the Block to make its way to New Zealand and one of the first ques­tions will be, is there still an audi­ence left for it con­sid­er­ing the most rabid fans will have found – licit and illi­cit – ways to watch it months ago. I cer­tainly hope there is because Cornish has pro­duced a highly ori­gin­al take on a clas­sic genre – a low-budget ali­en inva­sion movie that is thrill­ing, funny and socially aware.

It’s Guy Fawke’s Night and the attemp­ted mug­ging of off-duty nurse Sam (Jodie Whittaker) is inter­rup­ted by a the explos­ive arrival of a strange creature. The lead­er of the young hood­lums, Moses (a star-making per­form­ance by John Boyega), man­ages to kill the beast and they take the car­cass as a trophy, not real­ising that there are oth­ers fol­low­ing – and that they will want revenge.

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