It’s the fifth anniversary of my first column for this paper – my, how time flies. Five years of searching – usually in vain – for some transcendence among the many flickering images in dozens of darkened rooms. And then, as if by magic, transcendence appears.
It has taken a few weeks – and a second viewing – to properly process Terrence Malick’s The Tree of Life. Often baffling, frustrating, unhelpful, yet emotional and evocative in ways I couldn’t put my finger on, I wrestled with it throughout the two and a half hour running time – searching for answers and meaning among the beautiful images, floating, soaring camerawork and weird diversions into cosmology and vulcanology.
