The Rugby World Cup was supposed to be a boon for the whole economy, the thousands of excited guests soaking up our food, wine, culture and hospitality. Ask any cinema (or theatre) owner what’s really happening and you’ll get the inconvenient truth – the Rugby World Cup itself is soaking up all the attention and most of the dollars. For at least one cinema owner numbers are down 30–40% on this time last year. This shouldn’t be news – even in my day running the Paramount we knew that a Saturday night All Black game meant it was hardly worth opening – a 7.30 kick-off killed your two best two sessions.
Night rugby has been a disaster for everybody except Sky TV and the bars that show it. At least in the days of afternoon games people could watch their team and go out for dinner and a movie afterwards – the interests of whole families could be accommodated. Those days appear to be long gone.
This week we see that New Zealand’s film distributors have thrown in the towel and dumped the year’s worst product in a week no one was going to the pictures anyway. For my sins I sat (mostly) alone in picture theatres all over the city to help you decide how best to (cinematically) escape Dan Carter’s groin.
To be fair to Zookeeper, I was far from alone at the Saturday matinée screening – it seems portly comedian Kevin James (Paul Blart: Mall Cop) is a popular figure here in New Zealand. In The Dilemma he showed that there’s some nascent dramatic talent lurking beneath the lazy choices he’s been making but there’s no sign of it here. James plays a lonely but caring Boston zookeeper who thinks that his smelly occupation is holding him back, romantically-speaking.
While filling in for Graeme Tuckett on Radio New Zealand’s Nine to Noon film slot last Thursday, I casually mentioned that Daniel Craig had been cast as journalist Mikael Blomkvist in David Fincher’s forthcoming remake of The Girl With the Dragon Tattoo. With the collapse of Sam Mendes’ new Bond picture, Mr Craig has a franchise-sized gap in his schedule and I think he’s ideal casting to play the craggy crusader (originated by Michael Nyqvist in the Swedish films and a six part television series).
Harry Sloan, a media entrepreneur who once made $200m when a Scandinavian broadcasting business he was managing was taken public, was brought in as chairman of the studio. Sloan set about the substance of his work with enthusiasm, but he was also noted for his quirky habits. He arranged his office in the MGM building according to feng-shui principles and kept a selection of crystals in the screening room to improve energy flows – he even had his office telephone number changed, replacing all the fours with eights, a lucky number in China.
I was really enjoying Inception until I woke up. Actually, that’s not true. Unlike my companion, the Sandman didn’t come to rescue me from Christopher Nolan’s bombastic blockbuster and I had to sit through all two and a half hours of it, wondering what all the fuss was about.
Leonardo DiCaprio plays a corporate spy who specialises in entering people’s dreams and discovering their secrets. This is evidently a complex technology that requires one dreamer to design the location (it has to be fake because not knowing whether you are awake or dreaming carries massive risks to one’s sanity), one dreamer to lead the subject, the subject themselves and (sometimes) a forger who can take on the shapes and characteristics of other people.
There’s a lot of fighting in these dreams as the subject’s subconscious sees the invasion and tries to fight it off like white blood cells. But, you know when in your own dreams you try and hit someone and they end up being really weak marshmallow punches? That’s how the antibodies shoot so it takes quite a lot of bullets before one will actually hit you. And when one hits you and you die, in the real world you wake up so it’s really like a video game with multiple lives.
Dollar for dollar (if not lb for lb) Vince Vaughan is the biggest star in Hollywood. For every dollar invested in a Vaughan film he returns fourteen making him a better bet than Cruise, Pitt, Clooney or Roberts. It’s easy to see why he’s so popular – his easy-going everyman quality annoys fewer people than Carrey and choices like Dodgeball and Wedding Crashers are pretty safe. Even last year’s Fred Claus was a rare watchable Christmas film and this year he repeats the dose with Four Holidays (aka Four Christmases).
Vaughan, and co-star Reese Witherspoon, are DINKs (double-income-no-kids) who maintain their cool lifestyle by avoiding their respective families like the plague. When an unexpected airport closure reveals their plans to party in Fiji instead of feeding the third world, they are obliged to make four different visits on Christmas Day, forcing them to confront the weirdos, sadsacks and dingbats that make up their respective families.
I think I’m out of step with most other critics (not unusual and not a bad thing) but I enjoyed myself watching Four Holidays – Vaughan and Witherspoon actually make a believable couple and the supporting cast (including fine actors like Robert Duvall and Kristin Chenoweth along with country stars Dwight Yoakam and Tim McGraw) has plenty of energy.
Ten years ago, before he became the darling of the Hollywood Hedge Fund set, Vaughan’s career nearly stalled when he played Norman Bates in Gus Van Sant’s ill-advised frame-for-frame remake of Psycho. After the seeing the trailer for Quarantine, I was half expecting it to give a similar treatment to the Spanish shocker [REC] (which prompted messy evacuations earlier in the year) but happily it diverges enough to merit its own review.
A tv crew is following an LA fire department for the night when they are sent to an apartment building where mysterious screams are emanating from one of the flats. Soon after they arrive, the authorities shut the building down to prevent the rabies-like infection from spreading, leaving the residents, fire-fighters and the media to their own devices.
Stronger in character development but slightly weaker in shock value, Quarantine will be worth a look if you found you couldn’t read the subtitles in [REC] because you had your hands over your eyes.
High School Musical 3: Senior Year is the first of the legendary Disney franchise to make it to the big screen but the formula hasn’t changed one bit. Well scrubbed High School kids in Albuquerque put on a show which might send one of them to Julliard. The music runs the full gamut of current pop music styles from Britney to the Backstreet Boys (without the spark of either) and the kids display a full range of emotions from A to B. HSM is betrayed by a lack of ambition married to relentless, obsessive, commitment to competence but, at almost two hours, I suspect it will be too long for most tween bladders to hold out.
Depression is a challenging topic for film (the symptoms are un-cinematic and recovery often takes the form of baby steps which are difficult to dramatise) but Swedish drama Suddenly makes a decent fist of it. Nine months after the car he was driving crashed, taking the lives of his wife and youngest son, eye doctor Lasse (Michael Nyqvist) is falling apart. After what looks like a failed suicide attempt, his parents advise him to take his remaining son (sensitive 15 year old Jonas played by Anastasios Soulis) to his holiday house for the Summer to see if he can take one last chance to heal himself and the family.
Lasse throws himself into repairing the beaten up old rowboat while Jonas falls for the (entirely Swedish looking blonde) local black sheep Helena (Moa Gammel). Despite the apparent energy of the title, Suddenly takes its time getting anywhere but rewards perseverance.
Printed in Wellington’s Capital Times on Wednesday 10 December, 2008.
Notes on screening conditions: I’m stoked to report that Suddenly was the first film I’d seen in the Vogue Lounge at the Penthouse since my disappointing experience with Smart People back in August and, despite some print wear, the presentation was perfect. Well done Penthouse.