Skip to main content
Tag

the day the earth stood still (1951)

Review: Law Abiding Citizen, Remember Me and Max Manus

By Cinema, Reviews

Stars are import­ant. Despite their sup­posedly wan­ing influ­ence on box office (Avatar man­aged per­fectly well without a mar­quee name and Bruce Willis hasn’t car­ried a hit film in years) the cha­risma of a lead­ing man is still a key factor in how we much we enjoy our escapism.

Law Abiding Citizen posterExhibit A is the inex­plic­able suc­cess of Gerard Butler. Despite an unpleas­ant on- screen per­sona that mostly oozes bru­tish­ness and con­des­cen­sion he con­tin­ues to rate well with cer­tain tar­get mar­kets and, as a res­ult I still have to watch his films. The latest is a repel­lent revenge fantasy called Law Abiding Citizen in which Butler gets to smirk his way through sev­er­al remote-control murders while sup­posedly locked away in sol­it­ary con­fine­ment. How does he do it, we are sup­posed to ask.

Butler is Clyde Shelton, an invent­or and fam­ily man whose fam­ily is ran­domly tar­geted by two low-life home invaders. They kill his wife and child (but inex­plic­ably leave him alive as a wit­ness) but hot shot Assistant DA (Jamie Foxx) is wor­ried about his win-loss ratio and cuts a deal that saves one of the perps from Death Row. Shelton is upset about the sup­posed lack of justice and hatches an eight year plot to teach every­one involved (includ­ing the entire Philadelphia city admin­is­tra­tion and the Pennsylvania justice sys­tem) a lesson.

Read More

Review: The Day the Earth Stood Still

By Cinema, Reviews

Finally, we have a week with only one new film in it: a chance for me to stretch my legs, extem­por­ise, riff a little, get my hands dirty. Yeah, I’ve been look­ing for­ward to this, to prove I can be a real film crit­ic and write eru­dite and cul­tured prose; place a film in its wider social, polit­ic­al and cul­tur­al con­text; dis­cuss mise-en-scène and die­get­ic register, all the while provid­ing a riv­et­ing (and undeni­ably “cor­rect”) per­spect­ive on the film’s mer­its and qual­it­ies. Cool.

The Day the Earth Stood Still posterUnfortunately, the film that stands alone this week is the Keanu Reeves remake of the 1951 clas­sic The Day the Earth Stood Still and frankly its hardly worth the both­er. The ori­gin­al film was a pulp par­able play­ing on the nuc­le­ar para­noia of “duck and cov­er” America: an ali­en lands in Central Park to tell us that he’s going to des­troy the human race because we don’t deserve to live (we are war­like, bru­tal and selfish creatures you see, and the earth is too pre­cious to be left in our care). But, the stern humanoid ali­en Klaatu softens on con­tact with a human child and real­ises that our capa­city for change makes us worth per­sever­ing with. Naïve but satisfying.

The new ver­sion keeps the guts of the story intact (eco­lo­gic­al doom and home­land secur­ity make up the new para­noia) while over­blow­ing everything else to giant size. Reeves dead­pans his way through as Klaatu (sens­ibly stay­ing well with­in the lim­its of his range) and he’s joined by the mid-market star power of Jennifer Connelly, “Mad Men“ ‘s ‘Don Draper’ him­self (the unfor­tu­nately named Jon Hamm), Kathy Bates and a mis­cast John Cleese. Kid duty is done by Will Smith’s little boy Jaden who made such an impres­sion in last year’s The Pursuit of Happyness.

I had high hopes for this, based on some evoc­at­ive trail­ers, but the real­ity is a dis­ap­point­ment. The plot­ting is messy and incon­clus­ive and the effects look murky and rushed. The whole thing looks like someone lost con­fid­ence half way through shoot­ing, then decided to cut the budget in half and hope for the best.

Printed in Wellington’s Capital Times on Wednesday 17 December, 2008.