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Review: Iron Man 3, First Position and Identity Thief

By Cinema and Reviews

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Whatever they are paying Robert Downey Jr. to play Iron Man, it is is worth every penny. Iron Man 3, the third instalment in his own branch of the Marvel Universe series that also features Captain America, The Mighty Thor and The Hulk is hurtling towards a billion dollars of box office revenues and might just have broken even on the $200m production costs by the time you read this.

Iron man 3 posterI’m not sure that there is a better technician in commercial cinema than Downey. Even when he is poorly — or not even — directed in films like the last Sherlock Holmes or the last Iron Man, he is never less than watchable, but when he is challenged by a director and the material he is up there with the best ever. The name Cary Grant just popped in to my head and I think the comparison is reasonable.

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Review- Captain America: The First Avenger, Oranges and Sunshine & Precious Life

By Cinema and Reviews

Captain America posterOf all the remakes, sequels, franchises and comic book adaptations we are being offered this winter Captain America: The First Avenger is the one least likely to send a shiver of excitement down a Kiwi filmgoer’s spine. And yet, from relatively modest beginnings a half decent adventure film grows — it isn’t going to change the way you think and feel about anything but Captain America at least won’t make you want to run screaming for the exits in embarrassment and shame.

Steve Rogers (Chris Evans from Fantastic Four) is a weedy, sickly kid from Brooklyn — digitally de-hanced if that’s the opposite of enhanced — who desperately wants to fight the Nazis for Uncle Sam. After several humiliating rejections kindly scientist Stanley Tucci enlists him in an experimental super-soldier programme, fills him full of what looks like blue Powerade and turns him into a muscle-bound, fast-healing, über-grunt.

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Review: Thor, Fast 5, The City of Your Final Destination and Mozart’s Sister

By Cinema and Reviews

Thor posterThere are two mainstream comic book publishing houses, DC and Marvel, and choosing between them as a kid was a bit like choosing between The Beatles and the Stones. They had different styles and sensibilities (and philosophies) and after a little bit of experimentation you could find a fit with one or the other.

DC had Superman and Batman — big, bold and (dare I say it) one-dimensional characters with limited or opaque inner lives. When Stan Lee created Spider-Man, a teenage photographer with powers he neither asked for nor appreciated, he created a soap opera — a soap opera with aspirations to high art. As you might be able to tell, I was a Marvel kid.

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