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Review: Iron Man 3, First Position and Identity Thief

By Cinema and Reviews

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Whatever they are pay­ing Robert Downey Jr. to play Iron Man, it is is worth every penny. Iron Man 3, the third instal­ment in his own branch of the Marvel Universe series that also fea­tures Captain America, The Mighty Thor and The Hulk is hurt­ling towards a bil­lion dol­lars of box office rev­en­ues and might just have broken even on the $200m pro­duc­tion costs by the time you read this.

Iron man 3 posterI’m not sure that there is a bet­ter tech­ni­cian in com­mer­cial cinema than Downey. Even when he is poorly – or not even – dir­ec­ted in films like the last Sherlock Holmes or the last Iron Man, he is nev­er less than watch­able, but when he is chal­lenged by a dir­ect­or and the mater­i­al he is up there with the best ever. The name Cary Grant just popped in to my head and I think the com­par­is­on is reasonable.

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Review- Captain America: The First Avenger, Oranges and Sunshine & Precious Life

By Cinema and Reviews

Captain America posterOf all the remakes, sequels, fran­chises and com­ic book adapt­a­tions we are being offered this winter Captain America: The First Avenger is the one least likely to send a shiver of excite­ment down a Kiwi filmgoer’s spine. And yet, from rel­at­ively mod­est begin­nings a half decent adven­ture film grows – it isn’t going to change the way you think and feel about any­thing but Captain America at least won’t make you want to run scream­ing for the exits in embar­rass­ment and shame.

Steve Rogers (Chris Evans from Fantastic Four) is a weedy, sickly kid from Brooklyn – digit­ally de-hanced if that’s the oppos­ite of enhanced – who des­per­ately wants to fight the Nazis for Uncle Sam. After sev­er­al humi­li­at­ing rejec­tions kindly sci­ent­ist Stanley Tucci enlists him in an exper­i­ment­al super-soldier pro­gramme, fills him full of what looks like blue Powerade and turns him into a muscle-bound, fast-healing, über-grunt.

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Review: Thor, Fast 5, The City of Your Final Destination and Mozart’s Sister

By Cinema and Reviews

There are two main­stream com­ic book pub­lish­ing houses, DC and Marvel, and choos­ing between them as a kid was a bit like choos­ing between The Beatles and the Stones. They had dif­fer­ent styles and sens­ib­il­it­ies (and philo­sophies) and after a little bit of exper­i­ment­a­tion you could find a fit with one or the other.

DC had Superman and Batman – big, bold and (dare I say it) one-dimensional char­ac­ters with lim­ited or opaque inner lives. When Stan Lee cre­ated Spider-Man, a teen­age pho­to­graph­er with powers he neither asked for nor appre­ci­ated, he cre­ated a soap opera – a soap opera with aspir­a­tions to high art. As you might be able to tell, I was a Marvel kid.

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