The redoubtable Bill Nighy interviewed in The Guardian: The absence of classical work in my repertoire is due to the fact I can’t wear those trousers,” he says. “It makes me sound very shallow but I’ve done some really serious plays in a decent lounge suit.”
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And not just any blogger. Hot Fuzz director Edgar Wright’s moving memorial to Edward Woodward was lifted without so much as a by-your-leave by The Times for it’s obituary page: They just lifted it from my blog without asking?…?I’m not talking about quotes. Am talking about the entire article. But with edits they made that make […]
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Dan Slevin is a New Zealand-based writer, broadcaster and consultant. He has reviewed cinema for the Capital Times weekly newspaper since September 2006, seeing and reviewing every film commercially released in Wellington in that time (except, for some reason, Flicka or Beverly Hills Chihuahua).
Dan is a regular contributor to Radio New Zealand National’s Nine to Noon programme and produces and co-hosts the weekly movie podcast, Cinematica.
In addition to being the finest swordsman in all France, he is also the meanest hombre west of the Pecos. He tweets here.
Why Funerals & Snakes? In Jean-Luc Godard’s Contempt (Le Mépris; 1963), Fritz Lang said of CinemaScope: “It’s only good for funerals and snakes.”