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Review: Oz the Great and Powerful, Samsara, Cirque du Soleil Worlds Away, Great Expectations and The Sweeney

By Cinema, Reviews and Wellington

It’s a ques­tion that has been burn­ing away inside all of us for nearly 75 years – how did the Wizard (who wasn’t really a wiz­ard at all but a car­ni­val show­man with a knack for gad­gets) get to Oz in the first place? You neither, huh? Ah well, this least essen­tial ques­tion has now been answered by Spider-Man (and Evil Dead) dir­ect­or Sam Raimi and his team of pixel-wielding min­ions. As a pre­quel to the beloved 1939 film star­ring Judy Garland and a dog called Toto, Oz the Great and Powerful is not without risk. Other attempts to recre­ate L. Frank Baum’s magic­al world have been either com­mer­cial or artist­ic fail­ures – The Wiz, for example, or Return to Oz.

Casting the human smirk, James Franco, as the car­ni­val magi­cian trans­por­ted to the land of the yel­low brick road by a hot air bal­loon (via tor­nado) is also a risk but it even­tu­ally pays off, even though Franco’s boy­ish fea­tures are start­ing to look a bit ragged. Escaping vari­ous romantic and fin­an­cial pres­sures back home in black and white Kansas, Franco’s Oz finds him­self blown off course to a technicolor(ish) fant­ast­ic­al land where a proph­ecy sug­gests he will pro­tect the peace-loving cit­izens from wicked witches but also gain con­trol of the palace for­tune. Guess which one appeals more.

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Review: Anonymous, The Debt, Beautiful Lies, The Thing, Conan the Barbarian and I Don’t Know How She Does It

By Cinema and Reviews

Economically speak­ing, theatres are a com­plete waste of space. I mean, take a look at the St James or the Embassy and try and ima­gine how many cubicles and desks you could fit in to those huge pieces of prime real estate. Or even bet­ter, how many cars could you park inside them? (Car parks require lower ceil­ings there­fore more floors for the same build­ing height) What kind of fool thinks of con­struct­ing a big empty build­ing simply to shine a light through the middle of it?

Anonymous posterThis kind of non­sense has been going on for cen­tur­ies though as Anonymous, Roland Emmerich’s new piece of spec­u­lat­ive fic­tion, demon­strates. Stretching credu­lity almost as far as Star Trek requir­ing us to believe in faster-than-light speed, Anonymous asks its audi­ence to assume that barely-literate act­or Will Shakespeare (Rafe Spall) was not the author of all those plays and son­nets but instead they were penned by Edward de Vere, Earl of Oxford (Rhys Ifans) and used as a tool to rile the popu­lace and pro­voke polit­ic­al unrest.

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