Asides

Arthur Penn, 1922-2010

By September 29, 2010No Comments

Moves

The dir­ect­or of The Miracle Worker, Mickey One, The Chase, Bonnie and Clyde, Little Big Man, Night Moves (from which the above image is taken), and Penn and Teller Get Killed, to name but a few films, appar­ently died on the even­ing of his 88th birth­day. David Hudson rounds up the obits and trib­utes here

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  • bill says:

    I must say, NIGHT MOVES is a film that really lingers. RIP.

  • Robert Merk says:

    I’ve always felt the first 20 minutes of “Bonnie and Clyde” were required view­ing for any­one ser­i­ously con­sid­er­ing becom­ing a film­maker (or a film edit­or for that matter).
    Rest in peace.

  • warren oates says:

    Penn is one of the most under­rated American dir­ect­ors of the 60s. There’s noth­ing like his off-kilter Westerns–THE LEFT-HANDED GUN, THE MISSOURI BREAKS and his greatest film of all LITTLE BIG MAN. Even his fail­ures were aus­pi­cious, like get­ting fired from THE TRAIN so Frankenheimer could turn it into some kind of masterpiece.

  • jim emerson says:

    This page opened and that image hit me like a punch to the gut, just as it did the first time I saw “Night Moves” and every time since…

  • Stephen Bowie says:

    So this year we lost Rohmer, who was fam­ously maligned in Penn’s NIGHT MOVES … and then Chabrol, who was ori­gin­ally sup­posed to be maligned in NIGHT MOVES … and now Arthur Penn himself.
    I’m going back to bed.
    And in the mean­time, I hope Alan Sharp is tak­ing good care of himself.

  • lipranzer says:

    Stephen, not only that, today, the day Penn’s death was announced, is Robert Benton’s birthday.
    I need to see LITTLE BIG MAN again. I saw it a long time ago, and while I thought Faye Dunaway was mis­cast, the rest of it was quite good. And NIGHT MOVES is a clas­sic. R.I.P.

  • Jimmy says:

    The Missouri Breaks’ is one of those films that got hammered, by crit­ics, when it was released in ’76. I loved it.(still do)
    Brando (just off the wall, accents, granny dress) and Nicholson, going toe to toe, along with a sup­port­ing cast of some of my favor­ites (Harry Dean Stanton, Fred Forrest, Randy Quaid and the oh-so-fine, late, great John P. Ryan) make it a pure joy to watch.
    A little taste:
    http://www.youtube.com/watch?v=N48pqpyyeHA
    A won­der­ful tal­ent, Arthur Penn, may your soul forever Rest In Peace.

  • Woa – I don’t think I would ever have put those films togeth­er – I’ve seen many, but had­n’t really reflec­ted on Arthur Penn’s body of work before.
    That’s too bad he has passed.

  • Kent Jones says:

    When I was a kid, I used to see Arthur Penn quite a bit in the Berkshires. My moth­er taught his chil­dren, and he was friendly with a few people she knew. He also made ALICE’S RESTAURANT there – a beau­ti­ful hand­made film and, for me, a pre­cious record of the world of my child­hood. I met him a few times dur­ing the last few years, and I remem­ber him as a sweet, extremely intel­li­gent man. It’s dif­fi­cult to con­vey exactly how much he meant in the 60s and 70s – as a pas­sion­ate artist who assumed the respons­ib­il­ity of dram­at­iz­ing the con­flicts and obses­sions that were haunt­ing his coun­try, and as an evolving sens­ib­il­ity who acted as a bridge between the Actors’ Studio and Live TV on the one hand and the French New Wave and the New Hollywood on the other.
    Amidst all this dis­cus­sion of deaths in the film world, there was anoth­er death this week in the poetry world that I have to acknow­ledge. Michael Gizzi, a bril­liant, funny poet, a wild and beau­ti­ful and extra­vag­antly troubled human being, was found dead at the age of 61. He was a great read­er, sharp as a knife, and some of his read­ings can be found here: http://writing.upenn.edu/pennsound/x/Gizzi‑M.php. I sup­pose Mike would be clas­si­fied under Language Poetry, along with his pals Clark Coolidge and John Yau, and with his broth­er Peter, my closest friend on earth. Mike was always good to me. He was one of the first people to pub­lish my work. And I loved being with him. It’s a shat­ter­ing loss for those of us who knew and loved him. He just ran out of time.

  • Pete Segall says:

    I had no idea that he was Irving Penn’s broth­er. I’m sure there’s a mean­ing­ful aes­thet­ic link­age to be made but all I can come up with right now was that that was a fam­ily with some good eyes.

  • Robert Clawson says:

    …was found dead at the age of 61.”
    Is there yet any inform­a­tion on the cause of Michael’s death?

  • Kent Jones says:

    Robert, it seems to have been a heart attack. From “Nostalgia for Mayhem” in MY TERZA RIMA: “infin­ity has noth­ing left to do.”

  • Does any­one have inform­a­tion on when and where Mike Gizzi’s funer­al will be?

  • Kent Jones says:

    Elena, there will be a memori­al ser­vice in a few months.

  • I’d like to put togeth­er a read­ing here at The Bookstore in Lenox on the Friday night of Thanksgiving week­end, when so many of Michael’s former stu­dents can be in town. An open read­ing for and by any and all. Michael had some very good times here and it’ll be great to gath­er for him. I’ll post details as we get closer. we’ll prob­ably get some kind of sign-up sheet going. write to me at The Bookstore

  • Erik Lomen says:

    MY name is Erik Lomen, I’ve just heard of Michael’s death from Jim Dunn and Gerrit Lansing. I met Michael and Penelope in Lowell last year to pho­to­graph them both for paint­ings. I spent a great day with them and can­not believe he has passed away. I have his email con­tact but does any­one have Penelope Creely’s email. I feel as though i should get in con­tact with her to get the paint­ing i did of her and Michael to her and wish my con­dol­ences. If any­one has her info please email me at elomen@gmail.com. Sincerely,
    Erik Lomen
    http://www.eriklomen.com